atau dikenal sebagai
John Alec Entwistle (9 October 1944 – 27 June 2002) was an English bass guitarist, songwriter, singer, horn player, and film and record producer who was best known as the bass player for the rock band The Who.
His aggressive lead sound influenced many rock bass players.
He was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990.
Entwistle's lead instrument approach used pentatonic lead lines, and a then-unusual trebly sound ("full treble, full volume") created by roundwound RotoSound steel bass strings.
He had a collection of over 200 instruments by the time of his death, reflecting the different brands he used over his career: Fender and Rickenbacker basses in the 1960s, Gibson and Alembic basses in the 1970s, Warwick in the 1980s, and Status all-Carbon fibre basses in the 1990s.
Description above from the Wikipedia article John Entwistle, licensed under CC-BY-SA, full list of contributors on Wikipedia
Shouya Ishida starts bullying the new girl in class, Shouko Nishimiya, because she is deaf. But as the teasing continues, the rest of the class starts to turn on Shouya for his lack of compassion. When they leave elementary school, Shouko and Shouya do not speak to each other again... until an older, wiser Shouya, tormented by his past behaviour, decides he must see Shouko once more. He wants to atone for his sins, but is it already too late...?
Sixteen performances, which total 73 minutes, of previously unreleased performances from the 1969 Woodstock Festival. This is the follow-up to 2009's Woodstock: Untold Stories Melanie: "Mr. Tambourine Man/Tuning My Guitar" (6:18) Joan Baez: "Oh Happy Day" (3:59) Joan Baez: "I Shall Be Released" (3:38) Santana: "Persuasion" (2:55) Canned Heat: "Woodstock Boogie" (8:38) The Grateful Dead: "Mama Tried" (2:53) The Who: "Sparks" (5:25) The Who: "Pinball Wizard" (2:51) Jefferson Airplane: "Volunteers" (2:53) Jefferson Airplane: "Come Back Baby" (5:56) Country Joe and the Fish: "Not So Sweet Martha Lorraine" (4:23) Crosby, Stills & Nash: "Helplessly Hoping" (2:27) Crosby, Stills & Nash: "Marrakesh Express" (2:55) The Paul Butterfield Blues Band: "Everything's Gonna Be Alright" (8:53) Sha Na Na: "Book of Love" (2:07) Jimi Hendrix: "Spanish Castle Magic" (7:09)
The Who's seminal double album 'Tommy', released in 1969, is a milestone in rock history. It revitalized the band's career and established Pete Townshend as a composer and Roger Daltrey as one of rock's foremost frontmen. The first album to be overtly billed as a 'rock opera', 'Tommy' has gone on to sell over 20 million copies around the world and has been reimagined as both a film by Ken Russell in the mid-seventies and a touring stage production in the early nineties. This new film explores the background, creation and impact of 'Tommy' through new interviews with Pete Townshend and Roger Daltrey, archive interviews with the late John Entwistle, and contributions from engineer Bob Pridden, artwork creator Mike McInnerney plus others involved in the creation of the album and journalists who assess the album s historic and cultural impact.
In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.
1968 was a time of soul searching for the band - with three badly performing singles behind them they needed a big new idea to put them back at the top and crucially to hold them together as a band. Inspired by Indian spiritual master Meher Baba, Pete Townshend created the character of Tommy, the 'deaf, dumb and blind boy'. Broke and fragmenting when they started recording, the album went on to sell over 20 million copies. In this film, the Who speak for the first time about the making of the iconic album and how its success changed their lives.
A documentary on The Who, featuring interviews with the band's two surviving members, Pete Townshend and Roger Daltrey.
An intimate portrait of the legendary bass guitarist for The Who. This documentary includes the last footage ever recorded with John Entwistle, and features interviews with Pete Townshend, as well as other major figures in rock history.
Rhino Records is proud to present a 3-DVD boxed set showcasing one of the greatest live bands ever-The Who. Disc one features a live rendition of their full-blown rock opera about a deaf, dumb, and blind boy. Tommy was performed live in 1989 at The Universal Amphitheatre in Los Angeles, with special guests Elton John, Phil Collins, Billy Idol, Patti LaBelle, and Steve Winwood. Disc two contains the band's second rock opus, this time built around the story of a young mod's struggle to come of age in the mid-60s. This live version of Quadrophenia, from the 1996/1997 U.S. Tour was the first time it was performed as Townshend and Daltrey had visualized it, with live action and featuring a then-unknown Alex Langdon in a spellbinding performance as Jimmy, the disillusioned Mod.
In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."
A 1968 event put together by The Rolling Stones. The film is comprised of two concerts on a circus stage and included such acts as The Who, Taj Mahal, Marianne Faithfull, and Jethro Tull. John Lennon and his fiancee Yoko Ono performed as part of a supergroup called The Dirty Mac, along with Eric Clapton, Mitch Mitchell, and Keith Richards.
The history of rock n' roll and pop music are explored are explored via interviews and footage of well-known music stars.
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
Organized by Paul McCartney and the United Nations, these concerts were in response to the 1975-79 Khmer Rouge’s reign, where three million persons perished in Cambodia. During the concerts, McCartney brought three generations of popular musicians together. The older generation included McCartney and the Wings, The Who and members of Procol Harum. The middle generation was represented by Queen and members of Led Zeppelin. Most notably, there was the new generation of mainly New Wavers and Punk Rockers, such as The Pretenders, Elvis Costello and The Attractions, Ian Dury and the Blockheads, The Clash, and The Specials.
Through concert performances and interviews, this film offers us a comprehensive look at the British pioneer rock group, The Who. It captures their zany craziness and outrageous antics from the initial formation of the group in 1964 to 1978. It notably features the band's last performance with long-term drummer Keith Moon, filmed at Shepperton Studios in May 1978, three months before his death.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.