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Johannes 'Johan' Kaart Jr.
(1897-1976) was a Dutch actor.
He started performing on stage at age 16.
Together with Fien de la Mar and Jan van Ees he founded the 'Nieuwe Tooneel' theatre company in 1932.
Because of his natural comedic timing, his first on-screen performance in 'De Jantjes' (released abroad as 'The Tars') made him a fan favourite and launched his succesful cinematic career.
“Ciske de Rat” belongs to the Dickensean “little man’s hard life” model and tells a deceptively simple story about a boy in modern Netherlands. Persecution, loneliness, adults’ hostility, fear, mixture of obstinacy and tenderness, and even an imprisonment. Excellent camera movement and delicate portraying of Ciske’s fragile soul put this film out of merely historical context and ensure its place in the history of great cinema.
Worried about the ‘declining morals’ of 1950s Amsterdam, taxi driver Piet Amstel decides to emigrate to Australia. The government drive to build atomic shelters and the incessant Dutch rain only strengthen his purpose, as Amstel figures sunny Australia would make a positive change for his family. But first he needs to bring his daughter and her criminal boyfriend back on the right path.
Heintje Blom, a simple working woman, is told to move into a villa in a posh part of town. The inhabitants are none too pleased, but in spite of the class division a romance blossoms between the rich family’s son and Heintje’s daughter. The two families warm to each other in the end and the happy pair is united in wedded bliss. This comedy about the post-war housing shortage marked the return of the feature length Dutch film to the cinemas.
After serving in the Royal Navy, Manus, Toon and Dries return to Amsterdam working-class quarter 'the Jordaan'. Back home, they find out things have changed while they were gone; Manus's girl Jans has been unfaithful to him, Toon's father now rejects him on account of his dissolute life and barmaid Auntie Piet has been cooking up a scheme to ruin Dries' relationship with his girl Greet.