detail profile joe coleman
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Joseph Coleman is an American painter, illustrator actor and performance artist.
He has been described as the ‘Walking ghost of Old America’, by his wife photographer, Whitney Ward, for his over-riding interest in the historical arcana and personae that often populate his paintings.
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Peran Yang Di Mainkan Joe Coleman
Controversial painter Joe Coleman known for...How Dark My Love 2025
Controversial painter Joe Coleman, known for his intricate portraits of serial killers and outlaws, undertakes his most challenging subject yet — a seven foot portrait of his wife, Whitney.
A hasbeen character actor attempts to...
An ordinary guy delves deep into...
Serial Killer Culture examines the reasons...Serial Killer Culture 2014
Serial Killer Culture examines the reasons why artists and collectors are fascinated by serial killers.
Collection of short films by various...
Albert Fish the horrific true story...Albert Fish: In Sin He Found Salvation 2007
Albert Fish, the horrific true story of elderly cannibal, sadomasochist, and serial killer, who lured children to their deaths in Depression-era New York City. Distorting biblical tales, Albert Fish takes the themes of pain, torture, atonement and suffering literally as he preys on victims to torture and sacrifice.
Discover the New York underground scene...Llik Your Idols 2007
Discover the New York underground scene during the 80s and throw yourself into an exciting, anarchic and repulsive world that you won't forget.
A young Italian actress embarks on...
When a fragile young woman named...The Broken Giant 1998
When a fragile young woman named Clio (Missy Yager) seeks asylum in a New England church, rural preacher Ezra Caton (Will Arnett) sees her presence as a welcome distraction from his humdrum life. And although she can barely speak, Clio makes quick work of capturing Ezra's attention -- and pulling him away from his girlfriend. Chris Noth ("Sex and the City") and Brooke Smith (Silence of the Lambs) co-star in this dark, brooding drama.
RIP Rest in Pieces is an...R.I.P. Rest in Pieces: A Portrait of Joe Coleman 1997
R.I.P Rest in Pieces is an intimate portrait of artist Joe Coleman, who is known around the world as a shamanic, moral voice diagnosing the ills of 21st century America. Coleman holds nothing back, telling us of a world wracked with tumorous cities, perversion, divorce, violence, atomic bombs, and a human race destroying itself simply because we are born.
Documentary about the history people and...The Bowery 1994
Documentary about the history, people, and culture of New Yorks' Bowery Street and neighborhood.
A young woman wanders around New...Mondo New York 1988
A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.
Video accompaniment to the book of...Pranks! 1988
Video accompaniment to the book of the same name released by RE/SEARCH magazine, featuring interviews with Survival Research Lab's Mark Pauline, Joe Coleman, Karen Finley, Boyd Rice, and Frank Discussion. "Five Fabulously Funny Interviews with Fiendishly Flamboyant Pranksters discussing diabolical (and sometimes illegal) deeds. Dazzling deceptions and put-ons from some of the most outrageous artists living today."
Loosely based on an infamous 1984 Long...Where Evil Dwells 1985
Loosely based on an infamous 1984 Long Island murder case involving Satan-worshiping, teenage drug freaks (Knights of the Black Circle), David Wojnarowicz and Tommy Turner’s Where Evil Dwells is a low-budget D.I.Y. movie that walks the jagged lines between splatter flick, experimental film and transgressive art. The original footage was destroyed in a fire and the only footage that survived is this 28 minute preview that was put together for the Downtown New York Film Festival in 1985.
