Josef is looking forward to finally fulfilling his old dream of becoming a street clown after retirement. With his charm, he charms even the vigorous Maruška, the owner of the mobile cafe. It's like the two of you have been looking for each other all your life. But isn't it a little late for fateful love? In addition, his daughter Anička and five-year-old Honzík are currently moving into the villa with Josef. She thinks she's done with men for good, but meeting her old love, Pavel, hits her in the heart. A new girl, Evička, joins Honzík in kindergarten. Honzík experiences the feelings associated with love for the first time, he does not fully understand them, so he gathers advice from his mother, grandfather Josef or sympathetic uncle Karel. He also meets love in kindergarten when he falls in love with Honzík's teacher, Eliška. And to add to the rapprochement, Karl's basset Váleček gets along very well with Elišča's basset Šalina.
The fictional town of Šlukdorf. Here lives a car mechanic who calls himself Bourák. He loves rock and roll, dance, his own gelled hair and, despite being in his fifties, simply “refuses to grow up”. He forgets he has a wife. The only things he loves are Elvis, Cadillacs and anything connected with 1950s America. His daughter Kamila is fed up with life in the squalid town and with her irresponsible father. She is fed up with working in a casino with no windows, open round the clock; that her mother has caught the eye of the local gangster, who is clearly a dimwit; with her father behaving as if he has gone completely barmy. Kamila realizes she has to do something about it. She has to confront her parents with reality, as cruel as that may seem. A black comedy about everything that can happen because of a summer storm, a set of golf clubs, rock and roll, and one incredibly angry daughter.
In December 1941, Czech soldiers Jozef Gabčík and Jan Kubiš parachute into their occupied homeland to assassinate Nazi officer Reinhard Heydrich.
Our hero is 25-year-old Štěpán – a nice enough guy but a bit of a waster who doesn’t have a clue what to do with himself. At the call centre where he works, he is jolted out of his lethargy when he takes a call from the mysterious and seemingly level-headed Marie. This playful flick revolves around young protagonists full of insecurities who are struggling to break out of the crushing stereotypical mould. And although Štěpán might not know exactly which path to take in life, the mere decision to put one foot in front of the other indicates a certain degree of progress. In its chosen stylisation the film opts for bizarre condensation and, in places, ventures into absurd poetics; even so, it reveals great understanding for its characters’ faltering moves.