detail profile jiro shirasaki
Jiro Shirasaki
白崎 治郎
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Jiro Shirasaki (Shirasaki Jirō, born in 1939), is a Japanese special effects art director and modeler.
His first film was Toho's "Mothra" (1961), where he worked as an assistant.
He would continue as a special effects assistant art director (frequently under Yasuyuki Inoue) until the studio's twelfth Godzilla film, "Godzilla vs.
Gigan" (1972), also modeling and refurbishing the King Ghidorah suit.
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A look at the unrecognized work...Bringing Godzilla Down to Size: The Art of Japanese Special Effects 2008
A look at the unrecognized work of the talented artists and craftsmen who've maintained the tradition of Japanese special-effects. Highlighted is Yasuyuki Inoue along with various crew members who crafted meticulously detailed miniatures and risked life and limb as suit actors. All done to bring to life some of film's most iconic monsters through a distinct Japanese artform.
Manga artist Gengo Odaka lands a...Godzilla vs. Gigan 1972
Manga artist Gengo Odaka lands a job with the World Children's Land amusement park only to become suspicious of the organization when a garbled message is discovered on tapes. As Gengo and his team investigate, Godzilla and Anguirus quickly decipher the message and begin their own plan of action.
When a space probe crashlands on...Space Amoeba 1970
When a space probe crash-lands on a far-flung Pacific atoll, the craft's alien stowaways decide to take over their new world one creature at a time. Soon, the parasitic life forms latch onto three indigenous critters -- a squid, a crab and a snapping turtle -- and transform them into colossal mutant monsters.
Ichiro Miki is a child living...All Monsters Attack 1969
Ichiro Miki is a child living in the industrial district of Kawasaki, where his parents' constant struggle to make ends meet often leaves the schoolboy alone. Constantly teased by a bully nicknamed Gabara, his only friends are toy consultant Shinpei and fellow classmate Sachiko. Ichiro turns to escapist dreams of Monster Island where he befriends the equally bullied Minilla.
An adaptation of the RankinBass cartoon...King Kong Escapes 1967
An adaptation of the Rankin/Bass cartoon, "The King Kong Show". King Kong is brought in by the evil Dr. Who to dig for Element X in a mine when the robot Mechani-Kong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle atop Tokyo Tower.
Gaira a humanoid sea beast spawned...The War of the Gargantuas 1966
Gaira, a humanoid sea beast spawned from the discarded cells of Frankenstein's monster, attacks the shores of Tokyo. While the Japanese military prepares to take action, Gaira's Gargantua brother, Sanda, descends from the mountains to defend his kin. A battle between good and evil ensues, leaving brothers divided and a city in ruins.
After a meteorite unleashes a threeheaded...Ghidorah, the Three-Headed Monster 1964
After a meteorite unleashes a three-headed beast upon Tokyo, Mothra tries to unite with Godzilla and Rodan to battle the extraterrestrial threat.
A floating amorphous lifeform descends from...Dogora 1964
A floating amorphous life-form descends from the atmosphere to consume carbon in the form of diamonds.
Journalists Ichiro Sakai and Junko cover...Mothra vs. Godzilla 1964
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
When an underhanded pharmaceutical company goes...King Kong vs. Godzilla 1963
When an underhanded pharmaceutical company goes to a remote tropical island to steal King Kong for advertising purposes, they get more than they bargained for when the gigantic ape attacks an unsuspecting village and an enormous octopus.
The advertising director of Pacific Pharmaceuticals...King Kong vs. Godzilla 1962
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
