detail profile jeffrey perkins
Jeffrey Perkins
Jeff Perkins
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Jeffery Perkins is an experimental filmmaker and Fluxus artist.
Perkins was born in New York and attended high school in Springfield, Massachusetts.
Perkins met Yoko Ono when stationed in Tokyo as an Air Force medic and temporarily lived with her when he returned to New York in 1966, a period when he also became actively involved in New York's Fluxus community.
He collaborated with Tony Cox on the film SHOUT (Fluxus Film # 22) and shot Yoko Ono's film BOTTOMS (Fluxus Film # 4).
In the late 1960s.
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Peran Yang Di Mainkan Jeffrey Perkins
In 1961 Lithuanian American artist and impresario...George: The Story of George Maciunas and Fluxus 2018
In 1961 Lithuanian American artist and impresario George Maciunas established the avant-garde art movement Fluxus. George details the rise of Fluxus following a sensationalized tour of “concerts” in Europe in 1962, and continuing in New York for most of the 1960s and ’70s. During this time Maciunas was converting the dying industrial buildings of Soho into a network of artists’ lofts, creating one of the first official real estate co-ops of artist-owned buildings. Maciunas’s life and legacy—as recounted by artists of his generation, including Yoko Ono and Jonas Mekas—ignited debates that remain pivotal to artists working today.
Forty years in the making The...The Painter Sam Francis 2008
Forty years in the making, 'The Painter Sam Francis' is artist Jeffrey Perkins' intimate portrait of abstract expressionist painter Sam Francis. The film retraces Francis' life and career from his childhood in California to his artistic maturation in post-war Paris, his time spent in Japan, and his prominence in the United States. It reveals a man in constant struggle with physical maladies and his own demons, but for whom creativity was a powerful life-sustaining force.
For one night Michael Pilz rides...Facts for Fiction 1997
For one night Michael Pilz rides through New York with a remarkable taxi driver, Jeff Perkins. Sitting by his side, looking and listening, sometimes intervening, he uses his handy high-8 camera like a writing instrument, a „camera-stylo“.
American horror movie from 1974
This film consists entirely of close...No. 4 1966
This film consists entirely of close ups of famous persons' bottoms. Ono meant it to encourage a dialogue for world peace.
