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Jean-Jacques Burnel (born 21 February 1952) is an English musician, producer and songwriter, best known as the bass guitarist and co-lead vocalist with the English rock band The Stranglers.
He is the last founding member to remain in the band.
Jean-Jacques Burnel was born in Notting Hill, London, to French parents.
His family owned a restaurant where his father worked as a chef.
As a child, as the son of French immigrants, he was often the victim of mockery from his schoolmates, which later led him to call himself John to disguise his French origins.
This early encounter with xenophobia would also have an impact on his explosive temper in life and on stage as well as on the way he plays.
He moved with his parents to Godalming, Surrey, when he was 12 years old and attended the Royal Grammar School, Guildford, subsequently reading history at the University of Bradford and Huddersfield Polytechnic.
Burnel originally trained as a classical guitarist, but adopted the bass guitar as his instrument within The Stranglers.
He has provided lead vocals on nearly a third of the band's songs, though Burnel later explained he often sang lyrics written by Hugh Cornwell (or vice versa) depending on "who had the best voice for that particular song.
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Burnel has been a member of the Stranglers since the group's inception in 1974, but has also made two solo albums: Euroman Cometh in 1979, and Un Jour Parfait in 1988, as well as a collaborative album with fellow Stranglers member Dave Greenfield, Fire and Water (Ecoutez Vos Murs) in 1983.
Burnel has also produced and appeared as a guest musician for a number of artists, such as Lizard and ARB from Japan, Polyphonic Size (from Belgium) and Taxi Girl's album Seppuku in 1981, as well as Laurent Sinclair's "Devant le Miroir" maxi single.
Burnel also formed a rhythm and blues covers band, the Purple Helmets, who played a number of concerts and released two albums in the late 1980s.
As a holder of French citizenship, Burnel received his call-up papers for national service in France.
He succeeded in avoiding it with a novel defence, arguing that his absence would indirectly damage the Stranglers as a band, and therefore the careers of the other members.
This was in accordance with Burnel's claim that only the "bourgeois" would ever agree to serve their country's military.
Burnel composed and performed music for the anime Gankutsuou: The Count of Monte Cristo, including both the opening and ending themes, "We Were Lovers", and "You Won't See Me Coming" respectively.
Burnel is fluent in French and writes many of his songs in the language.
Burnel is noted for his distinctive bass guitar sound and melodic bass lines.
These are particularly prominent on earlier Stranglers recordings produced by Martin Rushent, such as the hit singles "No More Heroes" and "Peaches".
In the early days, Burnel's distinctive aggressive sound was created using a Fender Precision Bass with RotoSound roundwound strings played with a plectrum very close to the bridge, through Hiwatt all-valve amplification.
However, the defining factor was the use of a Marshall 4x12 speaker cabinet in which the speaker cones were ripped, creating a distorted sound.
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Source: Article "Jean-Jacques Burnel" from Wikipedia in English, licensed under CC-BY-SA 3.
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Musilac is a multi-genre music festival held annually in Aix-les-Bains, France. Held over four days for the first time in 2017, the festival's diverse lineup regularly spans genres and generations with internationally renowned names from the worlds of rock, pop, indie, hiphop, dance music and more. Held between the beautiful Lac de Bourget and the region's stunning mountainous nature reserve, the festival can definitely lay a claim to being one of Europe's most scenic.
Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's hands and as quickly as he makes a killing he takes a beating, normally at the poker table. Nominally an illegal prize-fight manager, Harley hasn't produced a live one in months, until Charles Buchinsky literally wanders into his life. Charles Buchinsky, street fighter extraordinaire. He's from out of town looking for a fight and the chance to tie up a few loose ends. Keeps himself to himself, lets his fists do the talking and his word is his bond. Victor Maitland, top illegal fight promoter and porn baron. Hates losing and loves the prestige of managing the best hitter in town. Harley dreams of bringing Maitland down and after seeing Buchinsky at work, engineers a fragile partnership. The duo soon becomes a hot ticket...
On 4th November 2007, thirty years to the exact day since their last visit, The Stranglers made a triumphant return to The Roundhouse in London. To commemorate this anniversary, the set list was based on the original 'Heroes' Tour of 1977, showcasing material from their debut album Rattus Norvegicus and it's follow up No More Heroes. Featuring the classic four-piece format, with bassist Jean-Jacques Burnel sharing lead vocals with guitarist Baz Warne, the distinctive keyboard sounds of Dave Greenfield and the awesome percussion skills of Jet Black.
Twenty one years after their recording debut, the Stranglers celebrated the release of their 13th album with this sell out concert at the Royal Albert Hall. The band were accompanied by an eighteen piece string orchestra to perform tracks from throughout the years including 'Golden Brown', 'Skin Deep' and Kinks cover 'All Day and All of the Night'.
BBC Choice documentary the story of The Stranglers, charting the band's rise to fame in the 1980s to present day. Despite the departure of lead singer and frontman Hugh Cornwell in 1990, the band continue to perform successfully to thousands of fans all over the world. Interviews with members of The Stranglers. Presented by jazz singer and art critic, George Melly.
Men in black, the Stranglers perform what turned out to be their final gig with founder vocalist Hugh Cornwell, live at Alexandra Palace on 11th August 1990. Tracks include 'No More Heroes', 'Something Better Change', 'Duchess' and Kinks cover 'All Day and All of the Night'.
George Melly explores his lifelong relationship with surrealism in all its forms and prominent personalities.