The film is a series of images, shown in short takes (anywhere from a few frames to 30 seconds), of more or less fetishistic imagery (something Bouyxou was particularly fond of). After a credit and title sequence written on naked human flesh, the viewer sees the brilliant Molinier standing sanctimoniously in front of a screen. Soon he is joined by a woman, and he fondles her breasts while retaining his signature grin. Molinier seems to almost be the 'ringmaster' of the incidents, with almost every minute episode cutting back to him. His presence is one thing that makes this film remarkable; the same sort of aura that exists in Moliniers famous self-portraits and cut-ups is present here, on screen. (esotika.blogspot.com)
Professor Chardin has just killed a man. Before calling the police to turn himself in, he burns some leaves and a notebook in the fireplace. Secret agents in the street with listening devices flee when the police arrive. The professor refuses to be defended by a lawyer and to explain himself, but his friend Professor Carter and his wife come to his support and he agrees to explain his crime of inventing the H-bomb, the secret of which was stolen from him by his collaborator Rossi at the very moment when he had given up his research, convinced by Albert Einstein's pacifist plea and other personal circumstances.