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James 'Jim' Wong (born April 20, 1959) is a Hongkongese-American television producer, writer, and film director notable for his screen works of The X-Files, Space: Above and Beyond, Millennium, Final Destination, The One, and the remakes of Willard and Black Christmas along with writing partner Glen Morgan.
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Horror bleeds into the 21st Century in an incisive documentary looking back at the late 1990s film industry on a global scale to find out what happened at the turn of the millennium to allow for the huge wealth of horror films flooding out from all corners of the globe. From SCREAM (1996), THE BLAIR WITCH PROJECT (1999) and FINAL DESTINATION (2000), to WRONG TURN (2003), HOSTEL (2005) and SAW (2004), with insight from Joe Lynch, Xavier Gens and Bill Malone who track the technology, the industry and the societal changes behind the next generation of horror films.
A novelist with writer's block reaches into the supernatural for inspiration.
On his 18th birthday, Goku receives a mystical Dragonball as a gift from his grandfather. There are only six others like it in the whole world, and legend has it that whoever possesses all seven will be granted one perfect wish. When the arrival of a dark force triggers a tragedy, Goku and his companions are propelled into an epic quest to collect the seven Dragonballs and save the Earth from destruction.
DEAD TEENAGER MOVIE is a short-format documentary examining a specific sub-genre of teen slasher films; namely the Dead Teenager Movie - a term coined by movie critic, Roger Ebert. Through the use of interviews with cultural professors, film historians, directors, writers, producers and film critics, and with visual aids from movie clips of several dead teen horror films, the documentary explores the origins of these stories from their beginnings in urban legends to their jump to the big screen in the late 70s to their modern incarnations (like FINAL DESTINATION 3 and its two predecessors). It look sat what clichés and stereotypes define the sub-genre, and how they have developed in cinema over time, particularly finding a home at New Line Cinema.
Desperate for companionship, the repressed Willard befriends a group of rats that inhabit his late father's deteriorating mansion. In these furry creatures, Willard finds temporary refuge from daily abuse at the hands of his bedridden mother and his father's old partner, Frank. Soon it becomes clear that the brood of rodents is ready and willing to exact a vicious, deadly revenge on anyone who dares to bully their sensitive new master.
A sheriff's deputy fights an alternate universe version of himself who grows stronger with each alternate self he kills.
Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trail of bodies behind them. The violence escalates throughout.