After suffering years of mental abuse from her husband, Jules thinks she's finally free when a physical struggle ends in a fire that takes his life. However, she's soon pushed to the edge as she starts to believe she's seeing him at every turn.
A quarter century ago, Jonathan Larson’s groundbreaking musical, RENT, opened at New York Theatre Workshop. From its humble beginnings at NYTW, this rock musical went on to shape a generation. What began in the East Village traveled to Broadway, across the nation and around the world. On March 2, 2021, NYTW held its biggest fundraising event of the year, 25 YEARS OF RENT: MEASURED IN LOVE. This virtual celebration of RENT and its impact on the collective cultural consciousness featured a selection of iconic songs by some of today’s most beloved recording and theatre artists, exclusive content uncovering how RENT came to life, and reflections on the driving force of Jonathan’s legacy in the American theatre.
Pete is a gay man from Philadelphia whose fear of intimacy leads him to getting involved with married men. His father Ron, and his soon-to-be step mom, Pamela, are on him to find someone who's actually available and to settle down. Instead, he finds a man named Jack who is fifteen years into a perfect marriage with two beautiful children and an enviable wife. This will force both men to confront what they really want in their romantic lives.
While confronting his unfaithful boyfriend, Dusty blacks-out. When he comes to, his boyfriend has been murdered and he's the prime suspect.
Clarkson and guests will celebrate the festive season with a comedic musical take on a traditional Christmas morality tale. Song selection will come directly off her just-released Christmas album, "Wrapped in Red," featuring classics such as "Silent Night" and "White Christmas" as well as the title track
Nelson and Angelo, a gay couple, decide to come out to their parents. However, when they do so, their parents find it difficult to cope with the news.
Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.