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Jacques Varennes (6 September 1894 – 8 November 1958) was a French film actor who appeared in around seventy films during his career.
He appeared in Maurice Tourneur's 1938 historical film The Patriot.
Source: Article "Jacques Varennes" from Wikipedia in English, licensed under CC-BY-SA 3.
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Lise is bored with her parents and gets a job as a waitress. She meets a sailor, Fausto, who leaves her to escape from the police. Nevertheless, she gives birth to a baby who dies shortly afterwards. Distraught, she steals a parentless child from a maternity hospital. Arrested and tried, she is acquitted, only to find Fausto innocent.
The cruel and abusive headmaster of a boarding school, Michel Delassalle, is murdered by an unlikely duo -- his meek wife and the mistress he brazenly flaunts. The women become increasingly unhinged by a series of odd occurrences after Delassalle's corpse mysteriously disappears.
Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are followed in more detail to the start of the Revolution, after which the story is brought rapidly up to date. A huge cast plays mainly historical persons who appear briefly.
Paul Braconnier and his wife Blandine only have one thing in mind: to find a way to kill each other without risk. After listening to a radio show, Paul decides to go to Paris to meet a famous lawyer in the acquittal of the murderers. He tells the lawyer that he killed his wife. The lawyer asks Paul to reconstruct the circumstances of the drama. Without knowing it, he explains, in spite of himself, the way for Paul to murder his wife by putting the odds on his side to avoid death penalty or even be released...
France, July 1782. During her birthday, the beautiful young Marchioness Caroline meets the attractive soldier Gaston. It's love at first sight but Gaston does not wish to make a commitment because a military career waits for him. Caroline marries then a politician but the French Revolution bursts and Caroline has to run away to escape the guillotine. By running away she meets Gaston again who decides to help her.
A famous poet in postwar Paris, scorned by the Left Bank youth, is in love with both his wife Eurydice and a mysterious princess. Seeking inspiration, the poet becomes obsessed and follows the princess from the world of the living to the land of the dead.
Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. Stanislas, a poet whose pen name is Azrael, is a suicidal anarchist, his imagination haunted into hate by longing for this queen who's drawn apart. He enters her private quarters intent on killing her then himself, but they fall in love, in part because he looks like the king. Stanislas wants her to regain political power by appearing to the public, and she tries to convince him to find hope and escape. All the while, the queen's enemies plot to keep the lovers together but to thwart their plans.
A famous convict Jacques Collin, alias Trompe la mort, or abbot Carlos Herrera, also called Vautrin, escapes from prison. Chance makes him meet Lucien de Rubempré, an impetuous and eternal lover who, when he is dismissed, collapses. Moved by this fragility, he takes him under his wing, and will do everything possible to ensure that his creature reaches happiness, even if it means imagining the worst shenanigans and other scams, with the help of a band of clever villains.
France, 1880. Francois Roquevillard is a respected lawyer in Chambery and the head of a family that prides itself on its impeccable morals. Francois's world rapidly begins to fall apart when his son Maurice elopes to Italy with Edith Frasne, the wife of an esteemed notary.
To try solving the strange disappearances of 11 young Parisian women, the police obtain the services of Adrienne Charpentier, friend of the latest missing person.
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful.