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Jacques Gamblin is a French actor.
He studied at the Centre dramatique de Caen (Caen Dramatic Arts Centre).
Originally, Jacques Gamblin was not destined to act.
As a professional technician in a theater company, he came to contact with acting.
He then studied at the Comédie de Caen and took his first steps as an actor on stage in Brittany, Totem Theatre in Saint-Brieuc, before joining the National Theatre, directed by Pierre de Rennes Debauche.
Then he tried his luck in Paris, carefully choosing his roles and he made his film debut in 1985.
In theatre, Jacques Gamblin worked with many directors such as Pierre Claude Yersin, Michel Dubois, Jeanne Champagne, Philippe Adrien, Alfredo Arias, Charles Tordjman, Jean-Louis Martinelli, Gildas Bourdet, and Anne Bourgeois.
He is also the author of plays such as The Touch Hardware and hip (1997).
Source: Article "Jacques Gamblin" from Wikipedia in English, licensed under CC-BY-SA 3.
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Benjamin is meant to be a great doctor, he’s certain of it. But his first experience as a junior doctor in the hospital ward where his father works doesn’t turn out the way he hoped it would. Responsibility is overwhelming, his father is all but present, and his co-junior partner, a foreign doctor, is far more experimented than he is. This internship will force Benjamin to confront his limits… and start his way to adulthood.
Unable to repay their debts, Milan and Victor, best friends and co-owners of a Paris nightclub, are lured into a drug deal that goes bad. Tortured by police, they negotiate their freedom against an overwhelming testimony that condemns their psychotic liaison to prison. Six years later, the men's nightmare begins again when the pyschopath is granted his freedom. Now, not having talked for years, the old friends are united again in order to survive.
A police inspector must solve two grisly murders. The problem is that his only suspect is a blind man.
Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving.
In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
In 200,000 years of existence, man has upset the balance on which the Earth had lived for 4 billion years. Global warming, resource depletion, species extinction: man has endangered his own home. But it is too late to be pessimistic: humanity has barely ten years left to reverse the trend, become aware of its excessive exploitation of the Earth's riches, and change its consumption pattern.
The film, set in 1912, is about the exploits of France's first motorized police brigade.
During the Nazi occupation of France as two filmmakers attempt to navigate their careers without compromising their ideals. Facing pressure from the Vichy government, assistant director Jean Devaivre uses his position at the German-controlled studio Continental Films as a cover for his resistance activities, while screenwriter Jean Aurenche uses his wits to keep from being involved in the creation of any collaborationist propaganda.
The film is set in Marais, a quiet region along the banks of Loire river in 1918. Riton is afflicted with a bad-tempered wife and three unruly children. Garris lives alone with his recollections of World War I trenches. Their daily life consists of seasonal work and visits from their two pals: Tane, the local train conductor and Amédée, a dreamer and voracious reader of classics.
In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He's arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.