Camille, a naïve schoolgirl, meets an intriguing influence in Joelle, a slightly older and much more experienced spirit. Camille follows her new friend through the discovery of sex and the darker side of life. As the film progresses, Camille discovers AIDS and the fear that she may have picked up the disease in her early encounters.
In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule.
The plot is set in a post apocalyptic Junkyard where people take refuge from authority and are able to practice their fantasies and fetishes without being stopped by the police. These people are led by Emanou who is a sort of Messiah, who promises music rather than salvation.
In early twentieth-century Brittany, two peasants marry, have a son, and live in traditional Breton ways: three generations under one roof, a division of labor between the sexes, elders' stories at night, politics and religion during their little free time. Times are hard: la Chienne du Monde drives some to suicide; Ankou (death) is close at hand. Pierre is born into this republican family, his lyric childhood interrupted by the outbreak of war and his father's conscription. He learns his catechism and, as a child of a Reds, also reveres school. His grandfather and father often put him on their shoulders, giving him a ride on the horse of pride.
Young police inspector Corinne Levasseur interrogated a dealer without the judge's consent. Following an indiscretion of her lover, the substitute Berthot, Corinne is transferred to a small town in the North who lives under the thumb of a rich industrialist and his family. He is given subaltern tasks. Intrigued by the strange death of a teenager, she stubbornly leads an investigation that allows her to trace the chain of a child prostitution network in which are mixed a notable and his son-in-law. A young investigating judge decides to investigate the case, but he is the victim of pressure ...
Stephane (Victor Lanoux) is the mayor of a small village. He is also the manager of the tannery which provides the inhabitants with work. In a fit of anger, he kills his wife (Edith Scob). A judge (Jean Carmet) tries to prove his culpability, but it's not an easy task, because there is a political and social pressure.
Georges Lajoie is a Parisian café owner. As every summer, Georges, his wife Ginette and grown-up son Léon go on holiday to Loulou's campsite, where they meet up with the Schumacher family (whose father is a bailiff) and the Colin family (who sells bras in the markets). This year, their peace is slightly disturbed by the proximity of a construction site where foreign workers are employed. Xenophobic comments are made. One evening at the ball, a fight breaks out between Lajoie, Albert Schumacher and two algerian immigrant workers...
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.