Shark and Coltrane, two out-of-work pot farmers really want to break into the movie business. So they chainsaw a cadaver’s arm off and use the severed arm as a prop in a horror film. Now they have to survive a night in the graveyard with a cadaver zombie that wants his arm back! Pot smoking slacker gravediggers, a movie goddess (Lar Park Lincoln, Friday the 13th Part 7), an obsessed movie mogul, a cadaver salesman, hot cheerleaders who may be exotic dancers, a redneck who would love to grill a severed arm and a horny Scottish Terrier - they’re all here in this over-the-top horror film for stoners that has been called the most ominous use of a severed arm in the history of celluloid.
A futuristic drama about five survivors trying to make sense of a New World after a devastating urban catastrophe challenges their basic human needs. Set in a bleak, post-urban landscape in the aftermath of the Third World War, the film presents a strangely limited environment where a single woman and four men are forced to communicate without words as a result of destructive gasses from the war. When their pasts are erased by the war, they are forced to recreate their lives both individually and collectively.
In a broken attempt to find a woman who has broken his heart, a Manhattan shoe salesman fearlessly throws himself into the world of guerilla filmmaking, creating a 'modern day message in a bottle' - actually a videotape - hoping that someone seeing it (maybe you?) will know his ex-girlfriend. To help the viewer understand who he is and why his girlfriend left him, this neophyte filmmaker hires a temperamental actress to play his ex and together they reenact scenes from his failed relationship. During the course of filming, Michael's mistakes, blunders and inadequacies as a boyfriend are mercilessly pointed out to him. This Is Not A Film is a romantic comedy about making a mistake and recognizing it in the most painful way possible - by making it all over again.
A writer gets involved with the wife of a nightclub owner. Crime drama by Richard W. Haines