Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.
Filled with both laughter and tears, Manhood is a fascinating exploration of the interpersonal relationships that can define - or destroy - a family. A teenage son rebels against everything his parents hold sacred. A gather tries hard to own up to his responsibilities. A black-sheep brother-in-law revels in the depths of depravity. His estranged wife finds the freedom to explore her sexuality. Together, they create an emotionally charged family dynamic that builds to a powerful - and unexpected - ending.
Jack is a dog. When he's not photographing women, as a profession, he's seducing them. Until now. Home from Paris, he feels empty and fed up with his promiscuous lifestyle. With his pal Buddy as a witness, Jack vows to find love and settle down. Jack keeps his word and marries Faith, but it's hard to teach an old dog new tricks. Even though they've had a child together, Jack soon falls into old patterns. He does his best to hide his infidelity, but Faith is not fooled. She leaves him, and takes their son Sam with her. Realizing how important Sam is to him, Jack pulls his act together and wins custody. Getting to know his son on a new level, Jack finds the one thing he's been longing for: pure, unconditional true love.
Johnny Destiny burns into Las Vegas in his hot Plymouth RoadRunner, stopping only to pick up a stranger stranded in the desert. But then, things aren't always as they seem. Anything can happen in that town of many possibilities...especially since there's been some weird electrical disturbances. As the stranger, fresh out of prison, tries to put his life back together--to recover his money from an old bank heist and the girl he lost in doing the job--something keeps interfering with his plans. Is it fate...or just Destiny?
Jimmy Kilmartin's an ex-con who's trying to go straight. But he can't say no to a quick driving job because his so-called friend's life is threatened. The job is for Little Junior Brown, a violent and powerful villain. When things go wrong, Jimmy is left to do the time, and his whole life is turned upside-down, but if that wasn't enough, the cops won't leave Jimmy alone when he gets out... They want Little Junior Brown.
While restoring a fifteenth-century painting Julia reveals a hidden Latin phrase. A series of murders begin to rock her small world of art experts, patrons and restorers, and she finds that the mystery of the painting is interwoven with the mystery of the deaths around her.
Attractive Manhattanite Allison Jones has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs.
The story of Jerry Lee Lewis, arguably the greatest and certainly one of the wildest musicians of the 1950s. His arrogance, remarkable talent, and unconventional lifestyle often brought him into conflict with others in the industry, and even earned him the scorn and condemnation of the public.
Downtrodden writer Henry and distressed goddess Wanda aren't exactly husband and wife: they're wedded to their bar stools. But, they like each other's company—and Barfly captures their giddy, gin-soaked attempts to make a go of life on the skids.
Jesse, a small-time criminal, high-tails it to Los Angeles to rendezvous with a French exchange student. Stealing a car and accidentally killing a highway patrolman, he becomes the most wanted fugitive in L.A.
Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Phil Ochs, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.
A Russian emigre prides himself on the way he's molded himself into a real Yankee in the USA, though the world he lives in, New York's Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife finally arrives in the New World, however, she has a lot of assimilating to do.
Teenagers Glen and Randa are members of a tribe that lives in a rural area, several decades after nuclear war has devastated the planet. They know nothing of the outside world, except that Glen has read about and seen pictures of a great city in some old comic books. He and Randa set out to find this city.
Henry, an apathetic file clerk at the All-State Collection Agency in New York City, spends most of his working hours sitting in the file room, daydreaming about leading the life of a Buddhist monk. In his free time, Henry roams Greenwich Village with his girl friend Sandy and roommate Solly. One day, Henry convinces Sandy that she should move in with him and Solly. When the time comes for Sandy to move in her belongings, however, Henry is unavailable to help her because he is having sex with his co-worker Rhoda. As Sandy and Solly drift into an affair, Henry tries to convince Rhoda that he does not love her. Soon after, Martin Axborough, his boss at the collection agency, tries to instill some initiative in Henry, a professed anti-materialist, by letting him make some collections over the telephone. Through his phone contacts, Henry discovers that Axborough has been swindling his clients, prompting Henry to become even more alienated and disillusioned.