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John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director.
He played supporting roles and occasional leads.
He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
MacDonald was the principal director of L.
Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford.
Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions.
He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,.
He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well.
The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd.
MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914.
When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct.
By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies.
He first worked under director John Ford in 1919's A Fight for Love.
In all, Ford would use MacDonald on twenty-five films between 1919 and 1950.
With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up.
In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932.
Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part".
His characters usually had names, and he was most often credited for his performances.
A highlight of this period was his performance as the hobo "Mr.
Tramp" in Our Little Girl with Shirley Temple (1935).
In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges.
MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film.
Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote.
His work on Sturges' films was generally uncredited.
He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon.
MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
Reporters Clark Kent and Lois Lane arrive in the small town of Silsby to witness the drilling of the world's deepest oil well. The drill, however, has penetrated the underground home of a race of small, furry people who then come to the surface at night to look around. The fact that they glow in the dark scares the townfolk, who form a mob, led by the vicious Luke Benson, intent on killing the strange people. Only Superman has a chance to prevent this tragedy.
Frank Johnson, a sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
The greedy nephew of eccentric Matilda Reid seeks to have her judged incompetent so he can administer her wealth, but she will be saved if her three long-lost adopted sons appear for a Christmas Eve reunion. Separate stories reveal Michael as a bankrupt playboy loved by loyal Ann; Mario as a seemingly shady character tangling with a Nazi war criminal in South America; Jonathan as a hard-drinking rodeo rider intent on a flirtatious social worker. Is there hope for Matilda?
Teenager Susan Turner, with a severe crush on playboy artist Richard Nugent, sneaks into his apartment to model for him and is found there by her sister Judge Margaret Turner. Threatened with jail, Nugent agrees to date Susan until the crush abates.
A holiday favourite for generations... George Bailey has spent his entire life giving to the people of Bedford Falls. All that prevents rich skinflint Mr. Potter from taking over the entire town is George's modest building and loan company. But on Christmas Eve the business's $8,000 is lost and George's troubles begin.
Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.
An unemployed drifter, Eric Stanton wanders into a small California town and begins hanging around the local diner. While Eric falls for the lovely waitress Stella, he also begins romancing a quiet and well-to-do woman named June Mills. Since Stella isn't interested in Eric unless he has money, the lovelorn guy comes up with a scheme to win her over, and it involves June. Before long, murder works its way into this passionate love triangle.
In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.
A seemingly charitable soup kitchen operator (who moonlights as a criminology professor) uses his Bowery mission as a front for his criminal gang. Police attempt to close in on the gang as they commit a series of robberies, murders and bizarre experiments on corpses.
The Florida Keys in 1840, where the implacable hurricanes of the Caribbean scream, where the salvagers of Key West, like the intrepid and beautiful Loxi Claiborne and her crew, reap, aboard frail schooners, the harvest of the wild wind, facing the shark teeth of the reefs to rescue the sailors and the cargo from the shipwrecks caused by the scavengers of the sea.
As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole political movement.
When transplanted Texan Bob Seton arrives in Lawrence, Kansas he finds much to like about the place, especially Mary McCloud, daughter of the local banker. Politics is in the air however. It's just prior to the civil war and there is already a sharp division in the Territory as to whether it will remain slave-free. When he gets the opportunity to run for marshal, Seton finds himself running against the respected local schoolteacher, William Cantrell. Not is what it seems however. While acting as the upstanding citizen in public, Cantrell is dangerously ambitious and is prepared to do anything to make his mark, and his fortune, on the Territory. When he loses the race for marshal, he forms a group of raiders who run guns into the territory and rob and terrorize settlers throughout the territory. Eventually donning Confederate uniforms, it is left to Seton and the good citizens of Lawrence to face Cantrell and his raiders in one final clash.
A Capone-like racketeer named Anderson, who after being chased out of one town by the authorities immediately sets up shop in another. Unable to get any tangible evidence against Anderson, DA Wayne orders his assistant Carter to dig up some dirt on the gangster boss. To do this, Carter pretends to turned crooked, joining Anderson's gang in order to accumulate evidence. Alas, Carter's girl friend Patricia knows nothing of her boyfriend's subterfuge, and she suspects the worst.
Madcap couple George and Marion Kerby are killed in an automobile accident. They return as ghosts to try and liven up the regimented lifestyle of their friend and bank president, Cosmo Topper. When Topper starts to live it up, it strains relations with his stuffy wife.
Western pardners Jeff and Cash find a baby boy in an otherwise deserted emigrants' camp, and clash over which is to be "father." They are still bitterly feuding years later when they own adjacent ranches. Bill, the foundling whom Cash has raised to young manhood, wants to end the feud and extends an olive branch toward Jeff, who now has a lovely daughter. But during a mining venture, the bitterness escalates. Is Bill to be set against his own adoptive father?
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
A wicked king has taken over the Emerald City, and wants his daughter, Princess Gloria to marry the horrid courtier Googly-Goo, though she loves Pon, the Gardener's Boy. The camera follows two farmers placing a Scarecrow upon a pole in a cornfield. Pon rescues a Kansas girl named Dorothy from the evil witch Mombi, whom Princess Gloria has been taken to by King Krewl to freeze her heart so she will no longer love Pon. An Indian princess has a ceremony to bring the Scarecrow to life. Pon rescues the cold-hearted princess and they flee for help, discovering the Scarecrow, who promptly falls in love with the princess, and Button-Bright, a lost boy from America. They come to the castle of the Tin Emperor, Nick Chopper, and after oiling him, he falls in love with Gloria. After a bit of a chase aided by the Sawhorse and the Wizard, Mombi turns Pon into a Kangaroo, and a slough of Fred Woodward's animals battle it out.