Rut Iwa Elisabet Boman is a Swedish stage and screen actress and writer.
She graduated from the Swedish National Academy of Acting, Stockholm, in 1972.
Her film debut was in Per-Arne Ehlin's "Håll alla dörrar öppna/ Keep All Doors Open" (1973).
Actor Micke and director Thommy try to create a one-man show together. With two weeks to go until the premiere, they still have no material. A relationship that started out professional has now turned into a private struggle that requires release and resolution.
Two Swedish girls have been found dead on the outskirts of Brussels. Circumstances indicating a ruthless trafficking activities and the biker gang Blackhearts branch in Sweden. When another girl disappears from the same area sees the A group a shocking pattern. Shortly after found a suspected kidnappers brutally murdered and the link to Blackhearts becomes suddenly even more puzzling. Is there anyone else who is behind? The missing girl's fate now rests entirely in the A-team hands.
A series of brutal murders of Polish women who secretly hiding in Sweden becomes the new A - team first case. The victims prove to be key witnesses in a major lawsuit against the Polish mafia . Three of them have been found murdered in the space of a few days , two missing and the hope is that they are still alive. Detective Kerstin Holm get command when the hunt for a ruthless killer and his shady victim begins.
Agnes has most things in life: a family who are always there for her, a good job in the restaurant industry, a boyfriend who loves her, and a best friend whom she knows inside out. Or does she? All of a sudden things begin to crumble, one by one, and soon nothing is as it was.
A splendid MP, Peter Haber, staying in a hotel with his wife, Suzanne Reuter. He has a fully booked afternoon at the Ministry, but instead intend to engage in sexual intercourse with a secretary while his wife is at the Royal Dramatic Theatre. Whoever will make it all work is his subordinate, Robert Gustavsson. It's not his fault that things go wrong.
A writer is working on a novel about the 1900s. He poses the question if broth (in the sense of concentrate) is an adequate choice of words to describe the century.
This is a comedy about people who work in the theater, live for the theater, think of nothing but the theater. The director seems crazy, the art director has idiotic ideas, and the acting coach is eccentric: they even look like brothers, related by their common obsession for the theater, linked as one with the actors. The new project is Mozart's Don Giovanni, in which the director insists to give it a brand new interpretation and an avant-garde treatment. Now, he has to deal with the violent objection from the actors, the musicians, the singing coach, the stage manager, and even the cafe bar attendants and the cleaners. The situation is further complicated as the director is such a womanizer like Don Juan... and his lovers and kids keep bugging him throughout the rehearsal...
Jonas has to stay at home on the farm and look after his seven younger siblings, because stepfather and stepmother are going to a wedding with eldest daughter Anna. But Jonas is curious about how the party goes and when it might be his turn to get married.
Steve works as a locksmith and one day he meets Lotta in his work. After helping her get back into her apartment they decide to see each other again. Though they are dating Steve still goes out with other girls, and in situations like this a big city quickly becomes a small town.