A mercenary takes on the job of tracking down a target on a plane but must protect her when they're surrounded by people trying to kill both of them.
An old woman flies past six floors after jumping from the roof of her apartment block. Six stories on the poor state of humanity, told with humour and rare imagination to the accompaniment of a pulsating soundtrack from Amon Tobin. A woeful burlesque set in the present by one of Europe’s most original contemporary filmmakers.
Entering a seamy underground world of peep shows, nude clubs, and live Internet sex is David Huxley, an aspiring politician who has everything to lose. Secretly filmed in a steamy three-way with his fiancée Tish and a gorgeous young model, David is desperate to find the extortionist who's demanding an exorbitant amount of money for the negatives. But when the blackmail trail ends in murder and David is kidnapped, Tish must come up with $5 million ransom or her fiancé's once-promising career, and life, may come to a dead end.
A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and friends flee or are ground under by the Nazi terror, the popularity of his character supercedes his own existence until he finds that his best performance is keeping up appearances for his Nazi patrons.
György Szomjas’s first feature—made after a decade of short documentaries—is a bold attempt at a goulash western, set on the puszta, or Great Hungarian Plain, in 1837. Mixing Miklós Jancsó imagery and a Sergio Leone narrative, this ballad-like saga opens with image of a lone horseman on the empty plain, riding past a rude gallows. The film concerns the vengeful return of a legendary betyár (outlaw), briefly a hero to the local herdsmen who oppose the state building a canal across their grazing land. Although Szomjas works from ethnographic records and archival material, it is hardly surprising that this violent, primitivist film would be more popular with Hungarian audiences than critics. Replete with young guns, crooked sheriffs, tavern brawlers and hardbitten plug-uglies, this widescreen film is strikingly shot by Elémer Ragályi (cinematographer for most of Gyula Gazdag’s films)—a feast of loamy, autumnal colors.
A ghost is haunting Lubló: Kaszparek Mihály, trader of wines, does not refrain from haunting his native town even in broad daylight. He rides his horse sitting backwards, pays with false gold and pays frequent visits to his widowed wife, who is far from being appalled by the caresses of her dead husband.