Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother's flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.
“Traveling is not just going places, but meeting people, remarks a character in Michèle Rosier's refreshing human comedy. 18 people board a tour bus to Mont-Saint-Michel, eager and jittery — cameras aimed, desires out of focus. The motley crew includes a maturing maid mad to marry, a discreet Irishman, a pompous bourgeois, and a mysterious lady in Renaissance attire who looks as though she's lost her castle.No matches made in heaven here; in fact, the characters seem bent on driving each other crazy before the tour's end.When the bus is attacked by highway thieves, and its occupants divested of jewels and money, the misadventure makes them accomplice ... a kind of spell is cast on these mere mortals, shaken from their moorings, who quit their banality and take off from the big bus into another space, outward bound.” — Joan Dupont
A construction site is set up next to a colony of forest workers. Murgu, a worker on the construction site, and Maria, a girl raised by foresters who took care of the colony's household affairs, fall in love with each other.
Jon, a young peasant love more "the land" than his engaged girlhood, Florica.Just when Ion thinks he has become master of his own land, he realizes that he has betrayed his heart, and that he is still in love with Florica, not with his wife. It is the curse of love that will be Ion's undoing. Badly mistreated, Ana, his wife, is driven to despair and she hangs herself. Ion, now free and wealthy, believes that the time has come for him to have Florica. Florica's husband, George waylays Ion and savagely murders him with a hoe.
Toma Caragiu plays Costica Caratase character inspired by the personality of the great actor Constantin Tanase. The action takes place in the interwar period and focuses on the conflict between actor and Iron Guard movement ("savages") offended by a satirizes artistic performances. Film question the artist's freedom of expression and the danger posed by his involvement in social issues existing in a dictatorship world.