Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?
A contemporary love story taking place in the heart of Europe, of two passionate young persons, whose sense of reality is too frequently mediated by a failure to 'live in the moment' and by computer screens.
Lucy, a privileged North American in contemporary Berlin, living a life of post Punk hedonism, roams the streets with her best friend, Derek. Together they use the city like a playground, a stage, and a never ending party. Into their lives enters Galia, a young Israeli woman carrying the promise of a better, cleaner way of living. A tribute to Punk underground films turns into a melodrama in "Saturn Returns", mirroring Lucy and Galia's modulating states of mind. Our and their look into each other's life and culture, becomes an investigation of empty facades. The film was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene.