Ian Gilmour is a New Zealander actor and director who has worked mostly in Australia.
He has acted in several Australian television series, most notably as Kevin Burns in Prisoner in 1980.
Other credits include The Box, Chopper Squad, Kingswood Country, Waterloo Station, A Country Practice and The Flying Doctors.
And his film credits including: The Chant of Jimmie Blacksmith, The Odd Angry Shot, Silver City, The Coca-Cola Kid, Malpractice and A Cry in the Dark.
He subsequently moved away from acting to become a director.
His directorial credits in television include: The Flying Doctors, Heartbreak High, Water Rats, McLeod's Daughters, Flipper and Home and Away.
In the future of 2010, three young Americans, Quentin, JT and Amy are visiting Shanghai, when they get shanghaied by mysterious Mr. Smith and taken to Flatland, a place where past and present meet, literally. The only way out for them is to agree to fight Khan for him, an evil ancient warrior who lives through his reincarnations and could destroy the world if not stopped in time. Coventry and Jagger help him, while encyclopedic Linda helps Smith in his 4000 years long quest to stop him. Smith has an alter ego, a wise Shanghai nightclub owner known as Uncle, who gives advice to those who need it.
A psychologically disturbed solider is forced to come out of retirement to find his brother who has disappeared in the jungle but nothing can prepare him for the alien nightmare he is plunged into.
Four unsuspecting victims are hurled into a twisted and altered reality: ... a young woman tries to flee a hit-and-run with destiny... an ex-ballroom champion hides a mysterious secret from the past in his bedroom... a routine job for a hitman takes an unusual turn... and a woman finds herself trapped in a train station with a bizarre railway clerk. All four soon discover that their preconceived notions of reality couldn't be further from the truth.
Based on the true story of Lindy Chamberlain who, during a family camping trip to Ayers Rock in central Australia, claimed she witnessed a dingo take her baby daughter, Azaria, from their tent. Azaria's body was never found and, after investigations and two public inquests, she is charged with murder.
An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own soft drinks, and visits the valley to see why. After "the Kid's" persistence is tested he's given a tour of the man's plant, and they begin talking of a joint venture. Things get more complicated when the Coca-Cola man begins falling in love with his temporary secretary, who seems to have connections to the valley.
Middle-class Karli, alcoholic Jane, unemployed Jackie, and square Ellen are four friends living together and barely scraping by in suburban Sydney. But when Karli’s father offers her a little money and a one-way ticket to New York, she finally sees a way out of her dead-end life—that is, until the money goes missing, kickstarting a final night out on the town that none of them will ever forget.
Building is Howard's passion, and he is so absorbed in his plans to build an elaborate resort in the Blue Mountains of Australia that he ignores certain obvious signals that his business partner is not entirely on the up-and-up. After a brush fire destroys the resort, an insurance investigator comes nosing around, whom Howard's partner deals with in a drastic manner. By the time Lloyds of London's senior investigator George Engels (James Mason in one of his last roles) arrives on the scene, Howard (Tom Skerritt) is anxious to set things to rights.
This short feature film begins with a suicide attempt by Cathy, and then follows by telling her story in flashbacks. Cathy is a neurotic young woman who retreats from cold British parents into an equally uncommunicative relationship with a former teacher who aspires to be a poet. Cathy's self-destructive behavior is presented as a legacy of her (British) family and past.
A group of Australian SAS regiment soldiers are deployed to Vietnam around 1967/8 and encounter the realities of war, from the numbing boredom of camp life and long range patrols, raids and ambushes where nothing happens, to the the terror of enduring mortar barrages from an unseen enemy. Men die and are crippled in combat by firefights and booby traps, soldiers kill and capture the enemy, gather intelligence and retake ground only to cede it again whilst battling against the bureaucracy and obstinacy of the conventional military hierarchy. In the end they return to civilization, forever changed by their experiences but glad to return to the life they once knew.