Romance in a Minor Key 1943

A grieving husband tries to uncover the truth behind his wife's suicide, leading him to discover a tragic tale of infidelity and redemption.

Damals 1943

Vera Meiners' life was sweet but unfortunately for her, it was not to last. Her husband, Jan, left her after she met a former lover in a harmless friendly meeting. Forced to resume her disrupted medical career, she worked in a Swiss clinic but, without the knowledge of the chief surgeon, Vera ordered a risky operation to be performed and was thereafter fired. Penniless, she then works in Spanish nightclubs in order to provide for herself and her child. After many years, she runs into her friend Frank again in one of these nightclubs...

Fridericus 1937

In 18th century Europe, King Friedrich II of Prussia leads his army through the seven-years-war with neighboring states, and after numerous near defeats, eventually brings a victorious army back to Berlin.

Die unmögliche Frau 1936

Last Stop 1935

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

Waltz War 1933

The quarrel between the waltz king Joseph Lanner and his still unknown violinist Johann Strauss. It comes to a break. Strauss is engaged in London and has his first successes there. Thanks to the initially unfortunate intervention of Lanner's daughter, a reconciliation is finally achieved.

Kleiner Mann – was nun? 1933

First adaptation of Hans Fallada's novel of the same name.

Children of No Importance 1926

If watching a fellow facing indifference/rejection in the slums of Berlin didn't convey enough pathos, Gerhard Lamprecht gathered much of the same crew from Die Verrufenen and turned his attention to the city's population of unwanted children for the heart-tugging Die Unehelichen, released the following year. The trio of foster children at the center of Die Verrufenen are survivors who use their own resourcefulness to get by when the kids' guardians and the system itself let them down.

People Among Us 1926

In "Menschen Untereinander" ("The Folk Upstairs"), director Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig (Lydia Potechina) from the rear building gives the newly-arrived Frau Kaminski (Käthe Haack), the janitor's wife, a lively initiation into the tenants and their peculiarities.

Die Fürstin Woronzoff 1920

Die Rothenburger 1918

A medical officer decides to become a doctor, change his name and devote his life to research after the woman he loves marries his best friend.

Es werde Licht! 1917

A painter with syphilis infects his brother's wife and the child born of their affair.

The Black Dream 1911

Stella, a circus princess, has two suitors: young, handsome Count Waldberg and the greying, hidebound jeweller Hirsch. Stella’s love for Waldberg drives Hirsch mad with jealousy. He will stop at nothing to be near the woman of his dreams. When the count loses a staggering sum to the jeweller in a gambling duel, Stella embarks on a fateful mission to save her beloved’s honour. (Stumfilm.dk)