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Piero Bruno Hugo Fontana Bertani, known as Hugo del Carril (November 30, 1912 - August 13, 1989), was an Argentine film actor, film director and tango singer of the classic era.
He began his career as a singer of tango choruses at the age of fifteen.
He made his film debut as an actor in 1937 and in 1949 as a director.
In 1948 he would go on to immortality as the voice of La Marcha Peronista, for which he would be persecuted and imprisoned in 1955 after the coup against the government of Juan Domingo Perón.
Physicist Theodore Heldt, his young daughter Fern and his assistant Larry Gordon, on board a ship for a scientific expedition, are shipwrecked in the Pacific Ocean after a terrible storm. They find themselves safe and sound on an exotic desert island paradise. Several years pass, the professor dies and Fern and Larry, long in love and alone in the world, are united. One day, the ship they'd been waiting for appears, but the sailors are three smugglers who, instead of representing salvation, pose a threat to the young couple.
After a period of sorrow, Fernando de Arellano, a rich businessman who has recently lost his young wife Blanca from a serious ilness, meets Mónica, who looks identical to her.
Accidental meeting between a pop-music superstar and a politician's daughter turns into a big romance... but class distinctions, and scandal in the family.
A film star enjoys a romance with the daughter of a puppeteer, but his criminal past threatens to ruin it.
Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.