Presídio de Mulheres Violentadas 1984

Erotica/Wip/Brazil: Also known as "Le Porno Detenute" in Italy...Fans of the legendary Brazilian Women-in-Prison send-up will be instantly at home with this sexploitation masterpiece.Plot-Our heroine is wrongly set up for a heist by her boyfriend...she is found guilty sent to prison where living conditions are intolerable.Added to that all jail female staffs are lesbian by default trying to lay the poor inmates.The male staffs are also trying to sneak in their snake in some hole too...Hence the inmates rebel...enjoy!

A Noiva da Cidade 1978

When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.

Elas São do Baralho 1977

Deu a Louca nas Mulheres 1977

Snuff, Victims of Pleasure 1977

After producing a successful underground snuff movie, were the lead actress is raped and killed, the Brazilian Miguel returns to São Paulo pretending to be the American director Michael Tracey and convinces his partner Bob Channing to cast and hire a crew to produce another movie. With attractive salaries, they hire the broken cinema technician Edson Lima and his assistant Juarez. Together, they cast the stripper and hooker Lia de Souza; the decadent and former famous actress Taty Ibanez; the aspirant actress Glória Verdi; the candidate of Miss Contest, the Miss São Paulo Maria Rosa; and an actor interned in a mental institution, Sérgio Bandeira. The group believes that they are going to secretly shoot porn, and moves to the small town of Limeira. When Bob falls in love for Lia, he tries to convince Michael to forget the snuff and avoid her death. But Michael is reluctant and does not want to give up his project. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Nem as Enfermeiras Escapam 1977

A brazilian film about a doctor that finds the cure for madness.

The Massage Professionals 1976

Dr. Brochard, the owner of the massage clinic "Academia Mãos de Ouro" in Rio de Janeiro, fires two employees for prostituting themselves on the side to the customers. In their place he hires two virgins, Virgem and Berta who are both immediately set upon by the womanizing driver Duda de Almeida.

Com as Calças na Mão 1975

Reg owns the store "Tem Tudo... E Muito Mais" (Has Everything... And Much More). To satisfy his customers, he is forced to perform the most strange functions.

Quando as Mulheres Querem Provas 1975

Ainda Agarro Esta Vizinha 1974

Tatá is a typical Rio de Janeiro guy, easy living, hedonistic, living in an apartment in one of those buildings where everything goes, in Copacabana, near the beach. One day a beautiful new neighbor, Teresa, moves into the apartment in front of his, and he falls in love.

O Fraco do Sexo Forte 1973

Cassy Jones, O Magnífico Sedutor 1972

A tireless and incorrigible seducer looks for - and seems to find - the woman of his life.

Procura-se uma Virgem 1972

Pra Quem Fica, Tchau 1971

Pra Quem Fica, Tchau tells the story of a teenager from the interior who comes to Rio, financed by an uncle, and goes to live with a womanizer cousin.

Uma Garota em Maus Lençóis 1970

Edu, Coração de Ouro 1968

A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.

The Girl from Ipanema 1967

Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.

El Justicero 1967

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive