This Category III period drama featuring power struggles and naughty things within the imperial palace walls definitely has effort put forth but immense chunks of plot holes are nowhere near filled up. Much seem missing in the story of poor Ru Yee who applies to be the nurse maid of the Emperor’s son. She gets help to gain access by Wei (Tan Lap-Man) and soon they are both heavily involved inside the palace. She as the nurse maid and he as a eunuch in training. Wei also finds time to murder Ru Yee’s sick husband and child… a fact barely mentioned after it’s happened.
A story combined by the lives of three night clubs girls in. Porsche is a once-famous aging night club girl; May is forced to work in a night club in order to pay her step-father's debt; and GiGi needs a huge amount of money in order to help her fiancé. They all know Night Club Girl is not a good reputation job, and they expect to start over again someday. However, it seems they cannot break the "curse" that "Bad girls never have fortune"
When a young man ignores a feng shui master’s warning and decides to marry before turning 30, a series of mishaps begins to curse his life.
Chi Kuan Chun's family is murdered by three crooks and he sets out to get revenge first by killing one and then attempting to frame the leader for sleeping with the local governor's wife. When that fails he challenges the remaining two in a fight to the death.
Pao-yu is in love with his cousin, Lin Tai-yu, but his family has other marital plans for him that will leave both broken-hearted.
Two stories are included in this erotic/romantic anthology. In the first, a Sung-Dynasty (10th-13th century) Buddhist monk is tricked into sexual relations with an unscrupulous female adventurer. He dies soon after with his misdeed on his conscience. In the second, the daughter of a woman who died in a brothel discovers that her mother died an unnatural death and seeks revenge.
Three young martial arts brothers, played by Chi Kuan-chun, Alexander Fu Sheng and Leung Kar-yan, go in search of fellow patriots dissatisfied with Imperialist foreigners and wind up joining a rising sect of the Boxers, led by an opportunistic conman. Named as such for their use of martial arts, these boxers are revolutionaries who believe that spirits protect their bodies from foreign guns. They even dupe the Empress Dowager, who gives them her royal blessing to fight the foreigners.
Li Han-hsiang, one of the most experienced and respected filmmakers in Hong Kong, wrote and directed this charming and fascinating comedy of amorous complications and modern morals in the very middle of his forty year career. The two cities are Macau, where a love quartet is the source for sexy merriment, and Hong Kong, where a gambler tells a charming woman why there are four shackles hanging from his apartment ceiling!
Arguably the funniest of the four famous Hui brothers, Michael has a tour-de-force vehicle in this naughty little comedy playing four different characters, each one in a compromising situation. And the laughs do come big and hearty as Hui bounces his cheeky humour off a terrific large supporting cast including the sophisticated Hu-chin and the lovely Pai Hsiao-man. Keeping the Benny Hill-style hi-jinks afloat is stalwart Shaw director Li han-hsiang who manages to switch flawlessly between these cheeky flings and his period epics.
The powerful mobster Leung, who is protected by the dangerous and wicked Huan Fai, sells two hundred Japanese weapons and ammunition to a Chinese gang. He uses the smuggler Luy Fu to bring the weapons but the smalltime thief Kim and his gang heist the shipment on the road and dump the cargo into the sea. However, he lures Luy Fu and asks a large amount to return the weapons with the intention of traveling abroad with his brother. Meanwhile Kim befriends Fan Ming, an undercover police office from Shanghai that is investigating the illegal activities of Leung. When the mobster finds that Fan Ming is a policeman, Leung ambushes him and Huan Fai and his men stab the officer that falls from a cliff into the sea. Kim brings Fan Ming's fiancée Ipi Feng to the house of his lover, the prostitute Hung, and tells Ipi Feng that her fiancé was murdered by Leung. She decides to revenge the death of her beloved Fan Ming with tragic consequences.
Golden Lotus is based, in part, on Jin Ping Mei, a famous erotic novel of ancient China. Li Han-Hsiang adapted part of the story into this film, which starts with Hsi Men Ching, a successful merchant, wooing Pan Chin Lien, the beautiful wife of one of the townspeople.
Lee Khan, a high official under Mongolian Emperor Yuan of the Yuan dynasty procures the battle map of the Chinese rebel Chu Yuan-Chang's army. Rebel spies, aided by treachery within Khan's ranks, strive to corner him in an inn.
This story is centering around a Ming Dynasty brothel that steams with secret erotic myths, trysts and twists of pleasurable indulgence. A shaw production
No list of the screen's comic geniuses would be complete without Michael Hui Kwun-man. He created a hilarious and lovable comic persona that was both uniquely Asian but also universally beloved. This, his first film, not only showcased his incomparable sense of humor but revolutionized Hong Kong comedy. Evoking Chaplin, he plays a warlord in early 20th Century China, but makes the role his own with both laughs and some of the sexiest ladies on the Shaw Brothers lot.