During the Japanese occupation of Shanghai, a Chinese woman trains in the covert arts. When she arrives in Hong Kong, she learns that her brother works on behalf the Japanese cause. She then pulls together a team of women warriors to stop her brother
Silver Fox (Hwang Jan Lee) fights a dark martial arts master imbued with weird magical powers (which include performing strange rituals on captive women) and, of course, fantastic fighting skills. The Fox will need every one of his own prodigious fighting skills to triumph over the forces of evil that marshal against him in this rock 'em, sock 'em martial arts epic. The very formidable Leung Kar Yan costars.
Minute Fong is a ruthless contract killer who dispatches his victims in precisely sixty seconds. Working exclusively for an organization headed by the Master Chou Jan Tung, Fong begins to take on his assignments with reluctance. Realizing that Fong's days are numbered, Chou hires two new experts to deal with him and his sixty-second technique.
In wake of the First Sino-Japanese War 1894-1895, a group of Japanese warlords calculate that the best way to prepare an invasion of the rest of China from their southern Manchuria staging ground.
Within the walls of the Shaolin Temple are perhaps some of the most powerful and mastered martial arts fighters in the world. Shaolin Death Squads deals with these relentless monks of combat and their struggle to keep the Shaolin Temple from being overthrown by the evil Qing Emperor Yung Cheng.
Mi Wey is a local hero named after "Killer Meteors", his secret weapon which makes him invincible. However, when "Immortal" Wa Wu Bin, another powerful local character seeks his assistance, Killer Meteor will face the greatest and the deadliest challenge of his life.
A one-armed martial arts master is being stalked by an Imperial assassin, the master of two fighters killed in the previous film. When the One-Armed Boxer is invited to attend a martial arts tournament, his efforts to lay low are unsuccessful, and the assassin soon tracks him down with the help of his three subordinates: a Thai boxer, a yoga master, and a kobojutsu user.
Gu Sheng-zhai, an artist in his early 30s, still lives with his mother, but he is suddenly shaken by the arrival of Yang Hui-zhen, a mysterious princess on the run. Yang brings Gu into her circle of protectors, including a nameless monk whose spiritual guidance transforms him into a valiant fighter.
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
China, year 1457. The Minister of Defense is executed, and his children are sentenced to exile by order of the tyrannical Tsao. Fearful of future revenge from the young people, Tsao sends cruel soldiers to murder them, but a brave group of swordsmen can change the course of the battle at the Dragon Inn.