Holger Munk (Andersen) begyndte i 1947 at læse hos Einar Juhl og blev uddannet på Det Kongelige Teaters elevskole 1948-1950.
I denne periode spillede han mindre roller bl.
a.
i "Omstigning til paradis" og "Den stundesløse".
Samtidig fik han sin sangstemme uddannet.
Efter afgangsprøven blev han engageret til Aarhus Teater med debut i "Sankt Hansaften-spil".
Han fik sit gennembrud i Riddersalen i 1950erne.
Siden var han free lance skuespiller, fx havde han roller i "Nitouche" og "Napoleons vaskepige" på Det Ny Scala i 1958.
Fra 1960-66 var han en af hovedkræfterne på Aalborg Teater med elskerroller i "Ruths bog" og "Vildfuglen" og "Helligtrekongersaften" og som den rare bøsse i "En duft af honning" i 1960 og med komiske roller som Barberen i "Folk og røvere i Kardemomme by" i 61 og Fyrstinde Grace i "Gidslet" og "Jean de France" i 62, men også alvorlige som Pateren i "Andorra" og som Baronen i "Båndet" i 64.
Han var også en dygtig lærer på elevskolen.
Og siden har han haft engagementer på Nørrebros Teater, Gladsaxe Teater, Betty Nansen Teatret og Folketeatret.
Fra 1972-1984 var han teaterleder på det turnerende Hvidovre Teater, hvor han skabte en lang række bemærkelsesværdige forestillinger.
Derefter etablerede han sit eget turneteater - Motivteatret - som dog kun kom til at vare i tre år.
I slutningen af 1980erne og op gennem 1990erne medvirkede han i en række forestillinger på Aarhus Teater og siden på Det kgl.
Teater, bl.
a.
i "Richard III", "Don Carlos" og "Sparekassen".
Udover medvirken i en række film har han også medvirket i TV-serier som "Taxa" og "Hvide løgne", ligesom han har lagt stemme til flere tegnefilm.
Han har medvirket i en lang række hørespil samt haft mange oplæsninger.
Han har desuden haft instruktøropgaver ved teater og radio.
Holger Munk medvirkede såvel i danske film som i udenlandske produktioner.
Uden for teatret har Holger Munk siden 50erne dyrket sit talent for malerkunsten og han har udstillet på museer, gallerier og i kunstforeninger, ligesom hans værker indgår i såvel offentlige som private samlinger i en lang række lande.
Holger Munk giftede sig med skuespillerinden Susanne Bruun Koppel den 4.
juni 1963 i Budolfi Kirke, Aalborg.
At their 25th high-school anniversary some bourgeois citizens remember their time in school as a happy one. In reality it was quite the contrary. The school was a madhouse in which the teachers, especially Blomme, tormented the students. As a result one of them became a murderer.
An uptight young man and his equally uptight family moves next door to a hedonistic clan, including the beautiful, sexy Topsy, who charms the new neighbor boy Tom. But Tom discovers that the price of loving Topsy may be higher than he's willing to pay -- she insists on absolute honesty and a life and love without possession or exclusivity.
The last part of the trilogy about the Vesterbro Root Per, which differs from "The Flight" (1973) and "Per" (1975) by being more comedy. Per has become socially adapted, he gets married and gets permanent work. In his rise live two originals, Kasper and his blind friend Holger, who are busy revealing housing fraud in the neighborhood.
After his girlfriend is killed in an automobile accident, a man decides the best revenge on those responsible is to murder their loved ones.
In the year 50 BC, Gaul is occupied by the Romans - nearly. But the small village of Asterix and his friends still resists the Roman legions with the aid of their druid's magic potion, which gives superhuman strength. Learning of this potion, a Roman centurion kidnaps the druid to get the secret formula out of him.
After a gruesome meeting with the tax authorities Alex Alexander takes a drive in the countryside to calm down. While driving, he accidentally runs into an elephant from a circus. When he is stopped by the police and tells them about the elephant they think he is crazy. He is committed to an asylum by the very authorities his taxes are funding. The doctor tries to convince him that the elephants were not really there, but he gets more help from manic fellow patient Knudsen who makes him realize that everybody in the world is crazy in some way.
Both Scotland Yard and an amateur American sleuth are tracking a master criminal known as The Frog. This moniker refers to the bulging-eyed mask worn by the evildoer, and is reflected by the frog icons painfully tatooed onto the forearms of his henchmen. The trail leads to the country manor of an enigmatic, steely-eyed nabob, whose repressed son has eyes for the artistes at the Lolita cabaret, and whose lovely daughter captures the fancy of both the American playboy and the villain himself. Murder, kidnapping and seduction ensue.