Based on a mystery by Taiwanese-Japanese author Chin Shun-shin. After two elderly men in Yokohama quarrel over a Tang dynasty artifact, one of the men turns up dead with mysterious claw marks across his face. A detective takes up the case, and uncovers secrets dating back to war crimes committed during Japan’s invasion of China in WWII.
Masao is falsely accused and jailed for the murder of a loanshark to whom he owed a lot of money. His sister Kiriko makes the long trip to Tokyo, specifically to accost Otsuka, Japan's top criminal defence lawyer, and plead with him to take her brother's case. They live in Kitakyushu which, though a city, she contends that the local lawyers are not up to the job. Otsuka contemptuously brushes her off. A year passes. Masao has suicided in jail, his appeal having failed due to the lack of interest and competence of the local defence lawyer. Kiriko returns to Tokyo, planning revenge on Otsuka for refusing the case and causing her brother's death.
One day, Reiko, who is engaged, meets a young man named Kondo, and she likes him, although she has a fiancé. On top of this, Reiko, suffering between two men, learns from her father that she is the child of her deceased mother and uncle. In this ambitious work, Sayuri Yoshinaga takes on the role of a girl who loves two men at the same time. The latest work from the golden duo of director Katsumi Nishikawa and actress Sayuri Yoshinaga, who created many masterpieces such as “The Izu Dancer”.
A father gives his four daughters his substantial retirement allowance on the stipulation that they leave him alone, as he wants some freedom. Each of the daughters has a romantic interest and it's noticeable that the father, too, has someone in mind.