Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.
For over twenty years, an elderly man convinces his wife that their long-lost criminal grandson has changed his ways to become a successful professional and loving husband. When he learns of his grandson’s death, he decides to keep yet another secret and arranges for a false couple to pose as their exiled grandson and his wife. As the couple enters, uncertainties arise. Will they be able to convince her?
When a young woman who knows nothing about housework falls in love, her grandmother and nanny make her seem like the ideal housewife in front of her boyfriend.
The protagonist commits a crime and abandons his brother, on whom the shadow of suspicion falls, to avoid punishment. In his escape he meets for the first time the emotion of a true love, but fatality takes it upon himself, pushing him back onto the criminal path.
A high society woman discovers a fiery romantic letter in a raincoat pocket seemingly written by a rumba dancer to the woman’s doctor husband. He tries to cover by saying that the letter is addressed to a more conservative friend of his, leading to rumours of his friend’s (supposed) incredible passion becoming intriguing to the local women, even the Doctor’s own jealous wife.