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From Wikipedia, the free encyclopedia
Helen Morgan (August 2, 1900 – October 9, 1941) was an American singer and actress who worked in films and on the stage.
A quintessential torch singer, she made a big splash in the Chicago club scene in the 1920s.
She starred as Julie LaVerne in the original Broadway production of Hammerstein and Kern's musical Show Boat in 1927, as well as in the 1932 Broadway revival of the musical, and appeared in two film adaptations, a part-talkie made in 1929 (prologue only) and a full-sound version made in 1936, becoming firmly associated with the role.
She suffered from bouts of alcoholism, and despite her notable success in the title role of another Hammerstein and Kern's Broadway musical, Sweet Adeline (1929), her stage career was relatively short.
Helen Morgan died of cirrhosis of the liver at the age of 41.
She was portrayed by Polly Bergen in the Playhouse 90 drama The Helen Morgan Story and by Ann Blyth in the 1957 biopic based on the television drama.
Morgan appeared in at least 15 films including Show Boat 1929, Applause 1929, Marie Galante 1934 and Show Boat 1936.
A midwest band leader and his lead singer share a love-hate relationship as they try for success in New York.
On the French coast, unlucky Marie Galante is abducted and forced to board an American cargo ship bound for the Panama Canal. When an escape attempt leaves Marie high and dry in the Yucatan, she takes work as a nightclub singer to earn her safe passage to the Canal region. But Marie faces bigger problems when she gets mixed up in a destructive plot against the U.S. Naval fleet, and so she accepts the kindly assistance of secret agent Dr. Crawbett.
When vaudeville performer Florette Faxon is left penniless with her six-year-old son Jimmy, she relies on the friendship of fellow performer Bud Hannigan to help her get a job. Bud is reluctant to become her partner, as he has proven to himself to be unreliable in relationships, but he tells her to call him whenever she needs help. While working in a beer garden, Florette meets Hap Stanley, an avaricious performer who marries her to get the rights to perform her show routine. Hap dislikes Jimmy and eventually convinces Florette to send him away to school. Both Jimmy and Florette are broken-up over being apart, but Jimmy pretends it is what he wants so Florette can be happy with Hap.
A young woman, who wants to be in the Follies, is making ends meet by working at a department store's sheet music department, where she sings the latest hits. She is accompanied on piano by her childhood boyfriend, who is in love with her, despite her single-minded interest in her career. When a vaudeville performer asks her to join him as his new partner, she sees it as an opportunity to make her dream come true. Upon arriving in New York City, our heroine finds out that her new partner is only interested in sleeping with her and makes this a condition of making her a star. Soon, however, she is discovered by a representative of Ziegfeld.
This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel