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Hedie Tehrani is a Persian actress who was born in 1972 in Tehran, Iran.
The turning point of her professional work was formed with the movie "Sultan" made by Massoud Kimiaei.
Her first play was in "The Red" movie by Fereydoun Jeirani, and the second one was for Asghar Farhadi's "Fireworks Wednesday" movie which she won the Best First Role Actress Award for the Fajr Festival.
Also, She was nominated for Crystal Simorgh for "Esrafil" made by Aida Panahandeh and "Seven Minutes to Fall" made by Alireza Amini, for Best First Role Actress.
Among the best movies that she has been featured in, "The Red" by Fereydoun Jirani, "Fireworks Wednesday" by Asghar Farhadi, "Shokran" by Behrouz Afkhami and "Unruled Paper" by Nasser Taghvaei can be named.
Hamed and Sepideh are not in a relationship anymore; they parted ways and the college years in which they watched movies together are just a far-off memory. Hamed has pursued his passion for music, he has recently released his first album and has been married for a year with a music instructor, Minoo. Sepideh has become an English teacher for preschoolers and is now wed to a builder, Massoud, who ironically can’t seem to build a solid marriage. In spite of everything, Hamed hasn’t forgotten about Sepideh yet and, when she goes back to their hometown, Minoo encourages her husband to meet her and clear his mind about what he really wants. With the collusion of a long time friend who owns a stationer, Hamed orchestrates an accidental meeting with Sepideh, in the attempt to find out more about her current life and, at the same time, to put himself to test.
Following protests to the presidential election in 2009, an elderly woman has one night to clear her house of any politically troublesome belongings of her family. To help her out; her deceased husband, her executed brother and two martyred and immigrated sons are back to life in their picture frames.
Danesh works in a barbershop and dreams about becoming an actor. Manfered is an agent who would introduce Danesh to a famous director if he collects enough long hairs to be used as wigs. At the same time a series of murders have worried everyone. Who is the killer and is the barbershop in any way related?
Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.
It is about life of a young couple who want to migrate from their country. But the arrival of Nazli makes problems...
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he sets out for the long and troublesome journey in a derelict bus, denying a recurring vision of his own death at half moon. Halfway the party halts at a small village to pick up female singer Hesho, which will only add to the difficulty of the undertaking, as it is forbidden for Iranian women to sing in public, let alone in the company of men. But Mamo is determined to carry through, if not for the gullible antics of the bus driver.
Rouhi, a young bride-to-be, is hired as a maid for an affluent family in Tehran. Upon arriving, she is suddenly thrust into an explosive domestic conflict. The wife is convinced her husband is having an affair and enlists Rouhi as a spy, to follow her husband, and confirm her suspicions. What Rouhi discovers, however, threatens not only their marriage but her own future.
A young woman tries to deal with the insight that her brother is dying. Shabnam is a photographer and sister of a famous war photographer, Hamed. Just before she goes to a party, she is told that the brother has been injured and is in hospital. Shabnam is dragged into a series of strange events, where the boundary between rus and reality is blurred. The debuting feature film directors are also film and art critics in Iran, Bonakdar himself artist - hardly surprising given the film's strong image awareness. It also has to be overlooked with the bit-wise banal depictions of cocaine scrambling and dangerous men.
This documentary looks at different aspects of the life of Bahman Farmanara, the well known Iranian film director and producer.
Donya is a young, attractive single woman who has just returned to Tehran from abroad. She seeks the help of Hadji Reza Enayat, the conservative and stern owner of a real estate agency, to look for a house. We sense that she has an ulterior motive but that motive will not surface until the end of the movie. She puts on the charm and Hadji falls head over heels in love with her and proposes marriage despite being already married to a loving and pious wife. Awkward and funny situations develop as he tries to keep his affair secret from his family.
When his business partner is hurt in a car accident, happily married Mahmoud (Fariborz Arabnia) must travel to Tehran, where he falls for the beautiful Sima (Hedye Tehrani). The two agree to a "temporary marriage," but problems arise when Sima doesn't want the arrangement to end. Sima's reluctance to play her expected role in this common Islamic practice soon turns to obsession in this smash hit from Iran.
In his last moments Mr. Baheri gives his janitor Mr. Koohsari a small piece of land but his sons are after that piece of land. Soltan who is a thief, pick pocketing the janitor's daughter ...