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Harry Baur (12 April 1880 – 8 April 1943) was a French actor.
Initially a stage actor, Baur appeared in about 80 films between 1909 and 1942.
He gave an acclaimed performance as the composer Ludwig van Beethoven in the biopic Beethoven's Great Love (Un grand amour de Beethoven, 1936), directed by Abel Gance, and as Jean Valjean in Raymond Bernard's version of Les Misérables (1934).
He also acted in Victorin-Hippolyte Jasset's silent film, Beethoven (1909), and in La voyante (1923), Sarah Bernhardt's last film.
In 1942, while in Berlin, to star in his last film Symphone eines Lebens, Baur's wife was arrested by the Gestapo and charged with espionage.
His effort to secure her release led to his own arrest and torture.
He was being falsely labelled as a Jew but confirmed freemason.
He was released in April 1943, but died in Paris shortly after in mysterious circumstances.
Academy Award-winning American actor Rod Steiger cited Baur as one of his favorite actors who had exerted a major influence on his craft and career.
Volpone, an elderly Venetian, connives with his money-crazed servant to convince his greedy friends that he is dying, knowing that each will try to curry favor with him in order to be named his heir. He is inundated with valuable gifts, and soon finds himself entangled deeper and deeper in a web of lies.
Captain Justin Mollenard works for a company that sells armaments to the Far East. After an eventful stay in Shanghai, where he and his cargo are the victim of a malicious attack, he returns to his hometown of Dunkirk. Mollenard receives a frosty welcome from his wife Mathilde, who resents the way in which he has neglected his family for so many years. Mollenard’s only wish is to get back to sea as soon as he can, but a sudden heart-attack leaves him paralysed and entirely in his wife’s power...
After the death of her husband, Christine realizes she has possibly wasted her life by marrying him instead of the man towards whom, in her youth, she had a stronger inclination. To overcome these dreary thoughts, she decides to find out about him and the other men who danced with her during a ball that was a turning point in her life, many years ago. She pays a visit to those forgotten acquaintances one after the other; Christine is not only surprised to see how they have fared, but also discovers the impact she had, unknowingly, on the feelings and the destiny of these persons.
An aristocratic woman is coerced by her impoverished family into marrying a wealthy business tycoon.
The final days of Jesus from the time he enters the city of Jerusalem. Viewed as a threat, it is decided that he must be captured, tried, and executed as a criminal, a plan aided and abetted by disciple Judas Iscariot.
During the First World War, Russian officer Ignatoff, wounded, falls in love with his nurse, Natasha. But she is subject to an upcoming marriage of family convenience to Brioukow, a wealthy industrialist of peasant stock. Brioukow is unjustifiably jealous, since Natasha has not betrayed him. He forces Ignatoff into his debt as a means of humiliating him. When Ignatoff's new friend, Madame Sabline, offers to pay his debt, preventing his ruin, Ignatoff comes quickly to realize that Madame Sabline has an ulterior motive, one that could prove dangerous to more lives than just Ignatoff's.
Willy Ferrière is a gambler living beyond his means, and his mistress is as greedy as he's dead broke. One day, he says out of loud in a a Montparnasse café that he would give 100,000 francs to get rid of his wealthy aunt so he could claim his inheritance. Someone secretly lets Willy know it's a deal. The old lady is murdered, and a low-life criminal is manipulated to be the perfect suspect. But Superintendant Maigret feels something is wrong.
Young d'Artagnan leaves Gascony for Paris where he hopes to become a Musketeer of the Guard. He does meet three Musketeers, Athos, Porthos and Aramis, but totally by chance and for... a duel against them! But he soon befriends them and follows them in their adventures, notably on a secret mission to uncover a plot contrived against the Queen by Cardinal Richelieu.
Everyman Coupeau's attempts to stop drinking are routinely thwarted by the wicked and vengeful Virginie. Based on Zola's novel, Capellani's film is about the free fall of a group of working-class French folk into degradation and tragedy due to carelessness, jealousy, and alcohol abuse. At the time of its release, L'Assommoir was hugely successful.