During his trip to the city, a naïve man from the countryside falls victim to a thief who steals his wallet. Since all his personal documents were in it, he not only looses his money but also his identity. The thief turns out to be a cunning con man, who uses the papers for his criminal schemes. Soon enough, a warrant is issued, and eventually both men – the thief and the innocent guy – are arrested. But since all the red tape of the government causes even more confusion, the odyssey of the victim searching for his lost identity has just started.
Puck Niklas (Jenny Jugo) loves her husband Peter even though her brother thinks he's a no-good. She's very charming and a bit crazy and does everything to help him get an engagement as an architect. Opportunity comes knocking in the form of factory owner Walter Baumann (Willy Fritsch) who sees through her trickery but at the same time charmed by her, he gives her Peter the job. Soon Walter finds out
The cashier, Jürgen Borb, has already worked for 10 years at Dadag in Hamburg and is an example for customer service and company loyalty. His professionalism are matched by the trust of his employers, who, while relating to him in an acceptable manner professionally, desire no closer contact with him outside of the workplace. When Borb suddenly disappears one day, Dadag's directors and Borb's colleagues are surprised. They become even more surprised when they soon discover that Borb has embezzled well over a million marks from the firm. His stepsister, Mette, doesn't believe that her stepbrother is an embezzler. In the meantime, she has fallen in love with a criminal investigator, who, she believes, is simply exploiting her affections to get to Borb. Then one day, the criminal investigator finds a body in the cellar of a house Borb rented under a false name and this man created a phony ID card for Borb, identifying him as a resident of a South American country.
Across German screens at the outbreak of WWII streaks "DIII88: The New German Air Force Attacks", an aeronautic and maritime spectacle glorifying Hermann Goring's Luftwaffe and the spirit of the newly arisen Germany. Once war became imminent, Joseph Goebbels instructed the German film industry to initiate production of numerous militaristic projects, but DIII88 was initiated by the Propaganda Minister's rival, Goring, who commissioned several aviation pictures. DIII88 is not a war picture per se, because it takes place in peacetime, but the young, fresh-faced air aces enthusiastically look forward to the coming war. The propaganda is blatant: The only thing that matters is dedication to duty and unconditional commitment to the Fatherland.