The residents of the villages Strasslach and Rott are anything but friends. The residents of the “enemy” town are ridiculed at every chance the residents of the other village can get to do so. And it’s no different, when Rott is getting ready to celebrate the 300th anniversary of its founding. The residents of Strasslach ridicule their neighbors, because the Rotters don’t want to celebrate the anniversary, because it’ll cost money. Even the church doesn’t have an organ, because that would cost money, too.
New Year’s Eve should be a time of joy for everyone. But Herr Reinhardt has decided to take his life on this evening. During his last conversation with his friend, Dr. Storp, the good doctor convinced him to wait until the following morning to kick the bucket and instead spend a happy evening with him in the emergency room on Alexanderplatz. It turns out to be an instructive night for Reinhardt. Life’s different fates play out before his eyes.
Fernand has escaped from prison and finds shelter in the traveling circus Barlay, where his former wife Flora works as a predator trainer. Their son, now grown up, Marcel is an art rider and does not know that Fernand is his father. Marcel loves Yvonne, the daughter of director Barlay. He is against the connection, sends his daughter to Italy and convinces Marcel that Yvonne does not return his feelings.
Der Herrscher (The Sovereign) was based on Before Sunset, a play by Gerhart Hauptmann. The great Emil Jannings stars as Mathias Clausen, a self-made businessman who is forced to do a great deal of soul-searching when his wife unexpectedly dies. Determining to start life anew, he falls in love with his secretary Inken (Marianne Hoppe) and impulsively takes a vacation to Italy. Clausen's selfish grown children, not wishing to share their father's affections -- nor his money -- with his new wife-to-be, go to court demanding that Clausen be declared mentally incompetent. Upon finding this out, Clausen flies into a rage, leaving the audience to wonder whether or not he really as gone off his trolley. Der Herrscher was directed by Veit Harlan, more famous (or notorious) for his viciously anti-Semitic Jud Suess (1940).
This film is a fascinating showcase for Emil Janning's theatrical play. He's a gentle school teacher who believes in his boys and is easily fooled about all things, while the other town officials want him dismissed. Curiously it's very hard to see what the film is exactly aiming for. Disaster strikes and the lax prof proves to be too far removed of the real problems of the world, on the other hand his enemies are shown in the most unsympathetic, satirical way denouncing the militaristic, bourgeois ideology of the Kaiserreich.