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Henry Francis Maltby (25 November 1880 – 25 October 1963) was a prolific writer for the London stage and British cinema from after the First World War until the 1950s.
He also appeared in many films.
From Wikipedia, the free encyclopedia
A night watchman is being bludgeoned, as a safe is cracked open in the offices of the District Food Controller. A list of wartime foods to be rationed is stolen, and the police fear gangsters are planning to sell the foods on the black market. As the office charwoman, Old Mother Riley's fingerprints are all over the safe, and she becomes the police's number one suspect. To prove her innocence, Mother Riley turns detective, adopting various methods and disguises to track down the villains.
In pre-Second World War England, a leading film star and his wife attempt to recover a secret carburetor stolen by enemy agents. Based on a popular stage musical starring Hulbert and Courtneidge, a husband-and-wife team who had made a series of successful comedy films during the 1930s.
In this lurid melodrama, Tod Slaughter plays a villain who murders the wealthy Sir Percival Glyde in the gold fields of Australia and assumes his identity in order to inherit Glyde's estate in England. On arriving in England, "Sir Percival" schemes to marry an heiress for her money, and, with the connivance of the cunning Dr. Isidor Fosco, embarks on a killing spree of all who suspect him to be an imposter and would get in the way of his plans to stay Lord of the Manor.
When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.
Adam McAdam is an old, dour sheepherder whose life is devoted to his faithful dog, the whiskey bottle and his daughter, Jeannie. And a conflict that arises when the other sheep-men of the district try every means within their power to have his dog, accused of being a sheep-killer, destroyed.
Robert Tisdall finds on the beach the corpse of a woman he knew. Others wrongly conclude that he is the murderer. Fleeing, he desperately attempts to prove that he is not the killer. A young woman becomes embroiled in the effort.
The story, starring Constance Bennett and Douglass Montgomery, involves a Canadian POW being hidden by a German citizen during World War I.
Calling the Tune offers a fascinating look at the fledgeling gramophone industry as it tries to solve the problems of reliable recording and production methods. 'I predict that the gramophone will be the democratic entertainment of the future' states unscrupulous record label boss Mr Gordon (Sam Livesey), who finally gets his comeuppance after one dirty trick too far against his rivals. If the film's love story is perfunctory, the real interest comes with watching performers of the day, from Henry Wood and his orchestra to George Robey and Charles 'the laughing policeman' Penrose laying down their recordings direct to record. And something very like a prototype laser disc makes a crucial appearance too.
The film begins in a BBC studio with the 100th edition of "In Town Tonight". Flotsam and Jetsom open with a "topical number". Then there is an interview with a distinguished actor, which dissolves into a performance of one of his famous melodramas about a wicked moneylender etc.
It is England in the 1830s. London's dockside is teeming with ships and sailors who have made their fortune in foreign lands. Sweeney Todd, a Fleet Street barber, awaits the arrival of men whose first port of call is for a good, close shave. For most it will be the last time they are seen alive. Using a specially designed barber's chair, Sweeney Todd despatches his victims to the cellar below, where he robs them of their new found fortunes and chops their remains into small pieces. Meanwhile, Mrs Lovett is enjoying a roaring trade for her popular penny meat pies.
The Duke of Bridgewater sends for the heir he's never seen. His heir is Patricia, and the Duke is a woman-hater, so Patricia disguises herself as a boy.