Guy Maddin CM OM is a Canadian screenwriter, director, author, cinematographer and film editor of both features and short films, as well as an installation artist, from Winnipeg, Manitoba.
His most distinctive quality is his penchant for recreating the look and style of silent or early sound era films which has solidified his popularity and acclaim in alternative film circles.
Since completing his first film in 1985, Maddin has become one of Canada's most well-known and celebrated film-makers.
Maddin has directed eleven feature films and numerous short films, in addition to publishing three books and creating a host of installation art projects.
A number of Maddin's recent films began as or developed from installation art projects, and his books also relate to his film work.
Maddin has been the subject of much critical praise and academic attention, including two books of interviews with Maddin and two book-length academic studies of his work.
Maddin was appointed to the Order of Canada, the country's highest civilian honour, in 2012.
An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.
Seances, co-created with the National Film Board of Canada, presents a wholly new way of experiencing film narrative. By dynamically generating a series of film sequences in unique configurations, potentially hundreds of thousands of new stories are conjured by code. Each will exist only in the moment—no pausing, scrubbing, or sharing—offering the audience one chance to see the generated film. This project, co-created by the ever imaginative Guy Maddin, is a visual discourse on the impact of loss within film. All the sequences pay homage to lost silent films from the early day of cinema. Seances is nostalgic but it is also frequently hilarious. Part of the joy and sadness of Seances is that many possible narratives are created but they can be only viewed once before they disappear forever.
An anthology film following different stories around the theme of invisibility in the modern world.
It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.
The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.
A short film in which Isabella Rossellini discusses the life and work of her father, Roberto Rossellini.
When he takes his girlfriend to a seedy abortion clinic in the back room of a combination hair salon / bordello, Guy Maddin meets the madam’s daughter and falls in love. But she won’t let any man touch her until her father’s murder has been avenged.
A medieval cult travels to the 20th century and kills people in an attempt to bring about the end of the world. The policeman must stop them by summoning the spirit of Nostradamus.
Set in a blazing land where the sun ceaselessly shines, this dramatic fantasy examines love’s darker aspects.
At the height of the October Revolution during the 1919 allied intervention in Arkhangelsk, the exploits of one-legged Canadian soldier Lt. John Boles are told, after he is taken in from the cold by a dysfunctional Russian family and mistakes a local woman for his presumed dead lover.