Moritz follows a boyfriend to Berlin and is soon abandoned by him. Alone in the big city, he embarks on a journey through a wide range of queer experience. Only through a new circle of queer friends does he develop his own ideas of sexuality and masculinity, leading him to a clearer self-identity.
The shy Hugo is a caretaker in a prefabricated building. He feels at home here, is appreciated by the residents and sings his songs in the corridors. Dramatic changes make Hugo uncomfortable in his home. Similarly dissatisfied is Johanna, who lives in a bus in front of the house and faces racism and sexism on a daily basis. The two grow closer - sharing a sense of not quite belonging and, above all, a love of music. For Hugo, the world is visibly coming apart at the seams: birds that reject freedom, a dollhouse that develops a life of its own - At the same time, a catastrophe is brewing in very real life that puts Hugo and Johanna's friendship to the test.
27-year-old Anna and Jonas, who is one year older, get to know each other through their university clique. The initial attraction leads to an unspectacular one-night stand that seems like the beginning of a light summer affair. However, the encounters between the two are also characterized by a lot of friction and provocation. Then something happens that completely changes their lives: after a party with lots of alcohol, the two have sex. Later, Anna thinks she was raped by Jonas. Anna feels traumatized and thinks she can remember her “no.” Jonas, on the other hand, remembers consensual sex. The only person Anna can initially confide in is her sister Daria, who advises her to report the crime. Eventually, those around you also find out about the accusation. Friends have to take a stand. The podcaster Kelly researches the events and tries to explore attitudes and discourses surrounding the case and its effects on victims, perpetrators and those around them.
17-year-old Rebekka is feeling hollow and empty after her brother Dennis died by suicide two years ago. Dennis' friend Vincent is the only one who can help her through this difficult time. But Vincent is an outsider, accepted by nobody, especially since he jumped off the bridge with Dennis and survived.
The good thing about a low point is, you can not fall lower. At least the unemployed Maria Kowalke thinks after her break-up and when the "strange" father re-enters her life. Instead of teaching art education, Maria, who urgently needs work, has to step in as a music teacher in a secondary school. The lack of concentration and insubordination of their 10th graders quickly push them to their limits. It could always be worse! But Maria Kowalke is a teacher who advocates for her students, and her father Max Schellinger a pensioner who is far from the old iron.