Grażyna Szapołowska (Polish pronunciation: [ɡraˈʐɨna ʂapɔˈwɔfska]; born 19 September 1953) is a Polish film and theatre actress.
After passing the baccalauréat she joined at Wroclaw Theatre of Pantomime.
In 1977 she graduated from The Theatre Art School in Warsaw.
From 1977 until 1984 she was in the theatrical company of the National Theatre, Warsaw.
She is best known for starring in A Short Film About Love (1988) by Polish film director Krzysztof Kieślowski, and in its earlier and shorter form the sixth episode of Dekalog.
It was she who suggested to Kieslowski the different ending of the full-length version.
She had previously starred in another Kieslowski film, Bez końca.
A woman falls victim to a dominant mafia boss, who imprisons her and gives her one year to fall in love with him.
"Botoks" is intended to be a record of the authentic history of strong, determined and expressive physicians who struggle with life's decisions and problems: discrimination, maternity pressures, the pursuit of youth, the fight for the right to free choice and own views.
Run Boy Run is the true story of Jurek, an eight-year-old boy, who escapes from the Warsaw ghetto, then manages to survive in the woods and working as a farmhand, disguising himself as a Polish orphan. He encounters people who will betray him for a reward, who will beat him up or try to kill him, and he meets those, who will do and risk almost everything to help him. Jurek’s resilience is put to the ultimate test, when an accident cripples him, making it harder to find work. But he struggles on against all odds. Eventually the Russians reach his area and Jurek even finds a family where he could stay. Yet he is betrayed again, and a young man from a Jewish orphanage forcefully tries to bring Jurek back to his people and his faith.
The story of an unemployed journalist who fights overweight and account shortages more effectively than Bridget Jones, and although she knows a lot about men, finding the right one will require a lot of effort. Especially that her adult daughter not only ruthlessly judges her actions, but also counts on her mother's advice in her love affairs.
Pressured by his superiors to disgrace public intellectual Warczewski, a professor and respected writer whom they believe to be a "camouflaged Zionist," rough security-services colonel Rozek enlists his sexy but naive girlfriend, Kamila, to insinuate herself into the distinguished older man's life and report on his every move. Not particularly interested in serving communism but eager to please her domineering lover, Kamila accepts the mission, reporting under the code name "Little Rose." As quick scenes contrast Kamila's crude pleasures with Rozek and her more refined experiences with Warczewski, it becomes clear that the more time the unschooled young woman spends with the professor, the more she comes to have true feelings for him.
A grand and patriotic tale of Poland's struggle for freedom just before Napoleon's war with Russia. Written in poetic style by Adam Mickiewicz, this story follows two feuding Polish families as they overcome their old conflicts and petty lives. However, they are able to unite as one with their patriotic and rebellious efforts to free the country they deeply love from Russian control.
Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.
Two British beauties go to Barbados with a yacht captain who does not know what he's in for.
Story of a tragic love triangle that develops between a mother daugther and a farmhand. A good-looking widow lives alone on a farm with her teenage daughter. Their neighbor occasionally helps them in the farmwork. He would have eventually married the mother, but the daughter tries to seduce him at all costs. He becomes the lover of both women, but eventually runs away leaving the mother shattered and the daughter pregnant.
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a constant stream of men at her beck and call. But when the two finally meet, they discover that they have a lot more in common than appeared at first sight...
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?
Story of four people in Sopot in 1933, mysteriously brought together to an old villa to reenact a murder ritual that took place 36 years earlier.
Released from prison after five years, con-artist Szu is sent packing by his young wife; he heads for the town of Lutyn where he runs a con and attracts the interest of Jurek, a young cab driver who imagines himself a great grifter. Szu ("Sharp") teaches Jurek a few tricks enabling the young man to win some money in Wroclaw, then Sharp departs with Jola, a prostitute who offers him a mark. How that plays out, Jurek's determination to win big, Sharp's cold calculations, and the wages of sin await.
Political and sexual repression in Hungary, just after the revolution of 1956. Passionate and determined, Eva gets a job as a journalist. There, she meets Livia and is attracted to her. Livia feels much the same, but as a married woman, has doubts and hesitations. In their work, they (and Eva in particular) bang up against the limits of telling political truths; in private, they confront the limits of living out sexual and emotional truth.