Edouard and Félix work in a real estate agency. One day, they are threatened with dismissal if they don't manage to sell a very isolated house to an elderly, silver and somewhat unusual Englishwoman. In the house, they discover a corpse. The visit is spent dragging the corpse from room to room, cupboard to chest, so as not to frighten the otherwise impressed buyer. But the corpse disappears. He has to be found before the deed can be signed. The two salesmen become detectives, tracking down the dead man's many female acquaintances. All the seducer's conquests are sifted through, to find the one who left her jewels at the scene of the crime.
A film made up of four sketches. In Marc Allégret's Sophie, a naive high-school girl invents a love affair with her mother's lover. But it's a guitarist with whom she falls in love. In Françoise, by Claude Barma, a young woman returning to France after living in the United States has an affair with her best friend's lover. In Antonia, by Michel Boisrond, a middle-aged woman tries to convince her ex-lover that she still has many assets to seduce. In Ella, by Jacques Poitrenaud, a Pigalle dancer meets a man in a cab.
Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.
Rival brother and sister Gaëtan and Chantal, the last heirs of the late billionaire financier Omar Porassis, use every trick in the book to try and claim his fabulous inheritance when two of Omar's natural sons, Roger and Marc, are found. The brother and sister try to manipulate Marc and Roger into stealing their inheritance. After discovering the deception, the two half-brothers join forces to escape the many traps set by Gaëtan and Chantal, who try to eliminate them by any means necessary.