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Giorgos Panousopoulos (Greek: Γιώργος Πανουσόπουλος) is a Greek cinematographer, film director and screenwriter.
He worked on 37 films between 1964 and 2004.
His 1985 film Mania was entered into the 36th Berlin International Film Festival.
His 1988 film Love Me Not? was entered into the 46th Venice International Film Festival.
Seven years after the incident in Pitta, all from the group leaves the Aegean, and get's to shore... Stavrakomathiakakis - after the mysterious kidnap of his 12 years old Pakistanian protégé Noori - leaves Psiloritis and, following her tracks, invades - in the middle of crisis - the capital. There, Parlavatzas and his chef, Papadakis, fight to salvage his Eastern fast food Sevdali restaurant. In the meantime hacker and "Roben Of The Shelves", Nakos, tries to wake up his fellow citizens to revolt, while newly elected city council Kalouris fights to upgrade the aesthetic of the city. Finally famous guru Tzimpitzidis tries to get higher his followers Self-esteem, part of which his ex and now vice secretary Marialena is.
A Documentary about Nikos Nikolaidis' work. Nikos Nikolaidis was an acclaimed film director and author from Greece. He is famous for creating controversial characters in his films that have a rebellious attitude towards the social and political status quo. He illustrates a dark and pessimistic present and future, but also providing ambiguous hope for the end when his heroes find their escape in death. His films are shocking and contentious, raising questions during times when political visions start to fade away. His filming was poetic, dynamic and aesthetically beautiful in order to present situations on edge and elicit his audience's feelings. The aim of this project is to transfer his dynamics in a documentary that will convey some of his messages and create a platform for exchanging opinions among filmmakers from all over the world, in an effort to decipher his universe and his symbols as reflections of his unique and rare personality.
A group of men in their sixties that spend the August nights in Athens outside a pharmacy during night shift, an ambulance driver who has an affair with a younger girl, a middle-aged couple who have invented a lie to renew their passion for one another, a child pretending to sleepwalk in the streets of Athens, two younger people who are tied together in an office after a burglar attack, and other amorous encounters during the same night.
The story of a thirties bank employee whose wife becomes a luxury prostitute. The same would happen with the next woman who knows. Xouan a promoter says he belongs to a particular class of people and asks him to work together.
Olga is a young pharmacist whο lives in the country in Chania, Crete in a confine and claustrophobic environment. Married and the mother of a child she will one day fir herself face to face with her childhood sweetheart, Lefteris who has returned to his place of birth after a long absence, full of ambitions... They both share a tragic sec without, however, confessing, it to each other: they are brother and sister from a different mother. It was the reason they had broken up when they were in love. But now it is not just Olga who goes after Lefteris but Vicky, a young woman who is the complete opposite of his old love. What would love be if it couldn't waste a man!
Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.
A gifted electrician, Michalis Karamanos works for Greek Telecommunications Organization and it seems that he is the only one who hasn't been completely absorbed by the corrupt and all-devouring system. Acting as a member of the revolutionary organization Constitutional Struggle, which is fighting against the unpopular policy of the government, he connects the computer of the director of OTE to an explosive device. He threatens to destroy the telecommunications of the country if he is not allowed to broadcast on television his revolutionary message during the broadcast of an important football game. The Authorities, thinking that he has gone crazy, try to bring him around using his old friends from the army, whom they pick up one by one as intermediaries. This is a situation comedy with excellent, mature plot development, plenty of suspense as well as masterful criticism of sociopolitical reality.
The mute wife (Olia Lazaridou) of a shadow-theater player (Antonis Kafetzopoulos) is suffering from cancer. An old woman, guided by her visions, discovers a Byzantine religious icon buried in a field. Her nephew sells the find to a thief, who then murders the old woman, without knowing that she had told the village priest about the holy icon she found. Two priests arrive in the village together with the puppeteer and his ailing wife, and there the wife sees a vision of the icon and where it was located in the field, which leads to the discovery of the bones of a saint. The wife sleeps on the spot where the holy relics were discovered and, upon awaking the following morning, regains her speech.
It is on Ascension Day that Zoe, a brilliant computer analyst, visits the National Park in the center of Athens with her daughter, Katerina. That afternoon in the park, Zoe experiences an overwhelming array of instinctive compulsions and transforms into an ancient Maenad in ecstatic frenzy, even capable of murder. Instincts and animals get loose and panic takes over.
The film is the story of a group of soldiers, who, in the course of their compulsory military service in 1967 and 1968, before and during the military dictatorship in Greece, are assigned to the then recently founded Armed Forces Television. This TV station, founded for the civilian population, was run by the Cinematographic Unit of the army which until then had only produced propaganda films and newsreels and was responsible for entertaining the troops and other charity organizations with movie screenings. The personnel was composed mostly of soldiers, who already had experience in the film business in their civilian lives, as well as those who received their training in the army. The story may be only 95% true, but that is simply because the true story is even more absurd...
"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.
The story of a young man who every day watches the inhabitants of the apartment across the street. They have a very beautiful daughter, but after a few days he finds himself in love with the mother...
Bob and Ches are two bachelors on the make. They are hired by Geraldine to guard her and her daughter, Christine. It seems Christine is psychic, and knows all the details of a political murder.
Euridice in Hades, code number ΒΑ 2037, is waiting for Orpheus to free her and lead her to the Upper World. She’s waiting for orders that will allow her to move out of her prison/home. Her destination is not mentioned. A voice from a computer orders her to move out.