While visiting Universal Studios in Hollywood along with their respective families, two Italian tourists get on a real time machine and got lost in time. Professor Mortimer effort to rescue them result in trips through various ages of ancient Italy.
Andrea, Maurizio and Sergio are professional idlers, lazy, indolent and full of inventiveness. Maurizio is engaged to the policewoman Anna, of whom he is extremely jealous, Sergio still lives with his mother and Andrea is tyrannized by his wife and his brother-in-law, a former boxer. When a crew arrives in town to shoot a commercial, Andrea and Sergio meet two actresses; in the meantime, Maurizio is dumped by Anna. The three spend a large sum of money on a scratch card to travel to Sardinia in search of the actresses in the commercial.
Lisbon, 1938. Mr. Pereira is the editor of the culture section of an evening paper. Although fascism is on the rise in Europe, like in nearby civil war Spain or even inside Portugal itself in the form of Salazar's regime, Pereira only concerns himself with writing bios and translating French novels. Things change after he hires a young writer as his assistant, getting to know also his girlfriend – both opponents to the regime – and reluctantly helps them when they begin to get in trouble for subversive activities. Eventually, he's forced to take a stand...
Good hearted but not very wordly-wise, Dante is happy driving the school bus for a group of mentally handicapped children, while feeling he is somehow missing out on life and love. So he is very excited when after nearly being knocked down by her car he meets Maria, who seems immediately enamoured of him. He is soon invited to her sumptuous Palermo villa, little suspecting that this is part of a plot. He bears an amazing likeness to Maria's stool-pigeon gangster husband and it would be convenient for them if the mobster, in the shape of Dante, was seen to be dead and buried.
Chronicle of the dark maneuvers put into practice by a politician to seize an opposition newspaper. A Lebanese terrorist receives the order to kill a stockbroker, which triggers a series of blackmail and deception. A deputy commissioner and a journalist intend to shed light on all these murky matters, but the politician has no scruples and also knows how to move with extraordinary skill.
Originally titled simply Decimo Clandestino, this Lina Wertmuller "miniature" began life as an Italian TV drama. Piera Degli Esposti plays the widowed, impoverished mother of a huge farm family. The woman moves her nine children to Bologna, where their living conditions are deplorable. To avoid a hike in rent, she tells her landlady (Dominique Sanda) that she is living alone. Also known as To Save Nine (a curiously brief English-language title for a Wertmuller film!), IL Decimo Clandestino was expanded from 60 to 90 minutes for its theatrical release.
Tina is on trial for the murder of her lover, Gino. The violent nature of their relationship, revealed in the trial, seems to make obvious that she accidentally killed him during a fight. The lone female jury member compares her life to Tina's and, believing her to be innocent, sets out on her own to find a missing witness that can prove Tina's innocence.
When a series of murders hit the remote English countryside, a detective suspects a pair of travelers when it is actually the work of the undead, jarred back to life by an experimental ultra-sonic radiation machine used by the Ministry of Agriculture to kill insects.
An experienced truck-driver is forced to become assistant to a young Sicilian driver. The Beast, the truck they drive around Europe, becomes their ground for mutual respect and trust.
While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.
Just out of prison, ex-con Ugo Piazza meets his former employer, a psychopathic gangster Rocco who enjoys sick violence and torture. Both the gangsters and the police believe Ugo has hidden $300,000 that should have gone to an American drug syndicate boss.