The story behind Johnny Cash's lost Native American-themed concept album and his unique collaboration with folk artist Peter Lafarge. The film also chronicles the reimagining of Cash's highly controversial 1964 record on its 50th anniversary, as recorded at Nashville's historic Sound Emporium Studios. Based on Antonino D'Ambrosio's book "A Heartbeat and a Guitar: Johnny Cash and the Making of Bitter Tears."
A concert inspired by the Coen Brothers' film, 'Inside Llewyn Davis,' which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film's music, as well as songs from the early 1960s. Performers include the Avett Brothers, Joan Baez, Dave Rawlings Machine, Rhiannon Giddens, Lake Street Dive, Colin Meloy, The Milk Carton Kids, Marcus Mumford, Punch Brothers, Patti Smith, Willie Watson, Gillian Welch, and Jack White, as well as the star of the film Oscar Isaac.
A documentary that goes inside the dark, witty, surreal world of cult English singer/songwriter Robyn Hitchcock.
In addition to the vintage look of the show, which also featured original TV ads for Martha White flour, the material the performers chose was more classic than modern. Harris opened the show with “Wheels,” the Chris Hillman-Gram Parsons tune that closed her 1975 sophomore LP for Warner Bros., Elite Hotel. Harris sings lead while Costello harmonizes, and Welch chimes in on additional harmony as Rawlings plays electric guitar. Harris and Costello then perform another of the duets she originally sang with Gram Parsons, the Felice and Boudleaux Bryant classic, “Love Hurts,” and after a break return for the Johnny Cash ballad, “I Still Miss Someone” and the Louvin Brothers’ mournful “My Baby’s Gone,” featuring Fats Kaplin on mandolin. Following a pair of gospel tunes by Harris, Welch and Rawlings, Costello returned for “Must You Throw Dirt in My Face,” penned by Bill Anderson and included on the Englishman’s 1995 covers LP The Kojak Variety.
Profile of veteran country singer Emmylou Harris, witnessing the heady success of her career while also discussing her late flowering of intensely personal and groundbreaking music, dealing with loss and the passing years.
On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites.
In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them.