Karine Vanasse goes behind the scenes of our cinema and showcases the talent of our artists and artisans. The objective? Make as many people as possible want to see local films all year round!
Rémi-Pierre Paquin accompanies a brave man who has decided to undergo vasectomy.
To amuse themselves during the winter school break, the kids in a small village decide to have a massive snowball fight. Luke and Sophie, both 11 years old, become the leaders of the opposing sides. Sophie and her cohort defend an elaborate snow fort against the assault of Luke’s horde. Whichever side occupies the fort at the end of the winter break, wins. But what starts out as pure youthful fun and enthusiasm deteriorates into a more serious conflict. Joy is restored when all the children decide to attack the fort rather than each other and happily destroy every last bit of the snow fort.
After his loved ones betray him, a man in his 30s goes to a lakeside cabin to hide from the world. But instead of finding peace, he has to deal with a kooky neighbour, a missing drowned man, a crook on the lam, a stripper who hides out with him, and the cop who’s madly in love with her and looking for her with murderous ardour.
With the villagers of Saint-Élie-de-Caxton barely having enough food to survive, Ésimésac convinces them to collaborate on a community garden. Each person will multiply his or her yield by cultivating the land together. At the same time, talk of a new railway line promises to connect Saint-Élie-de-Caxton to the rest of the world and brings the hope of abundance. Riopel, the hulking blacksmith, starts working on the railway track and convinces the locals to invest in his project rather than waste their time playing in the garden. Ésimésac’s big project flounders under the weight of metal. But can he really stop progress?
On the morning of Sept. 11, 2001, six people become suspicious about a stranger in their neighborhood.
All the vampires have to take a special potion made by Ghyslain Chabot to be human. Chabot's wife isn't a vampire yet but wishes to become one. Ghyslain doesn't share her desire because of all the rules and responsibilities inherent in being a vampire. As a result, Ghyslain's wife throws him out of the house without the potion.
Karmina, a young vampire (only 140 years old) flees her Translylvanian castle where she must marry the horrible Vlad to please her father, the mean Baron, and her mother, the eccentric Baronness. Karmina finds refuge in Quebec at the home of her aunt Esméralda, an older vampire who lives among humans thanks to a potion that temporarily transforms a vampire into one of them. Under the effect of the potion, Karmina falls in love with Phillipe, a charming church organist. But Vlad, the Baron and the Baronness soon show up in pursuit of her and turn a poor customs officer, Ghislain Chabot, into a vampire to aid them in retrieving her. Esméralda must become the great vampire of yesteryear to fly to the aid of the lovers.
An abandoned caboose becomes a junkie's hideout, a multiple murder has been committed. A police investigation leads nowhere, the crime remains unsolved, and Marceau, a hardened cop, resigns in the aftermath. But his troubles don't end there: someone is stalking him and his life is in danger. To save himself, Marceau recruits Camille, a young woman drummed out of the police academy for her inability to fire a gun. They make a pact: Camille agrees to flush out Marceau's potential murderer and Marceau, in exchange, undertakes to remunerate and train her. Camille plunges into Marceau's seedy underworld and encounters a raft of suspects. As Camille sinks deeper and deeper into this sordid world, she comes to terms with its violence and understands that the line between good and evil is narrow indeed. From this insight she draws the strength that had previously eluded her. Marceau's legacy... But who, exactly, is Marceau?
Despite the fact that he is completely unrepentant about his crimes, when Regis Savoie's son asks to visit him, prison authorities grant permission for the boy to come. The thief and murderer (Gildor Roy) takes advantage of the moment of his son's arrival to steal a gun and take flight. He settles some old scores, gets together with his girlfriend, and heads for the hills, pursued by a detective who is not to be swayed in his efforts to follow and recapture him.
At a maximum security prison, there is preparation for the annual party where entertainers and strippers are scheduled to perform. But not everyone is having fun. A man is sent to solitary, his wife has a nervous breakdown, and a convict prepares to make a daring escape.