A radio commentator named Perry Travis fancies himself a brilliant amateur detective. The cops wish he’d stick to his microphone and let them do the detecting. This proves impossible when a famed scientist is murdered in Perry’s studio, right in the middle of the interview. All evidence points to Perry, and he sets out to clear his name before the Shadow-like villain roaming the hallways of the radio station gets away with murder.
An auto engineer and a professor's daughter pose as married servants in a mobster's mansion.
The wealthy Van Dyke family are constantly in the media for outrageous behavior, much to the frustration of the patriarch, Dan Van Dyke. His self-centered wife has a fondness for foreign imports, including "pet projects" like dancers and such and his spoiled children Tony and Carol have constant run-ins with the law. When Dan himself ends up in the clink for five years for tax evasion, he becomes bunk-mates with ex-bootlegger Joe "Spots" Ricardi. Ricardi lectures him on being such a push-over for an out-of-control family, so a dying Dan makes Ricardi his estate trustee once he is released from prison. Ricardi is then thrust into high society and must do everything he once nagged Dan to do.
Constance, a poor but aspiring composer, meets the great conductor, Franz, through their old music teacher. They fall in love, despite Constance knowing about Franz's weakness for pretty women.
Chester Carr, owner of a dude ranch in the Rockies, caters to guests seeking the thrill of the Wild West. Among his guests are the wealthy Spruce Meadows and his daughter Susan. But the West isn't wild anymore and most of Carr's guests are bored and about to leave. He is in despair when a caravan carrying a broke-down-and-out troupe of actors---Jennifer, Judd, Mrs. Merridew and her daughter, Alice---crashes down the hill and wrecks the hotel sign.
Richard Dix, a displayer in a department store, enters a raffle and wins the so-called 'hoodoo' bad-luck automobile formerly owned by the store owner's son, a soul seemingly always in trouble with cops and women. Well, suddenly Dix begins to have the same problem, only he also gets mixed up in the life of Esther Ralston and her Aunt Edna May Oliver. Hilarious misunderstandings and undertakings become the fodder for the day!
The O'Donnells are a typical, everyday family -- Tad (George Hernandez) is a sensible working man, his wife (Fannie Midgely) is a good mother and their daughter Kathleen (Constance Binney) is pretty and innocent to the point of naiveté. Kathleen works in a factory and its owner, Donald Holiday (Warner Baxter), has taken a shine to her. But instead she falls for slick cab driver Harry Stanton (George Webb), who insists, "Honest, kid, you're the only girl I ever loved." Kathleen falls for this, and when her perceptive father makes clear he doesn't approve of Stanton, she moves out on her own.
John Haynes is known as "Hardwood" in the Northwoods town where he is the boss lumberjack. But his uncle bequeaths him a store in Louisiana, which he discovers to his dismay is the modiste shop. When Judge Meredith needs a graduation dress for his granddaughter Caroline, but can't afford it, John comes to the rescue by offering to board at the judge's residence.
When stern Judge McClure gets into an argument with his younger brother John, a physical fight ensues in which the judge apparently kills John. In fear of the consequences, he runs off to the West and hires guide Cal Nelson to take him far into the desert. Along the way they meet Mary Jackson, and the judge, overcome by heat prostration, babbles out his secret.
Genuinely sweet natured, Ambrosia Lee loves to help everyone, soothing their sorrows with her cheerful spirit. Her charms are put to the test, when she tries to save her own Aunt Charlotte's marriage. Happily, all ends well, when her Aunt and Uncle are happily reunited.
Aside from the fact that Polly had red hair in abundance, she was not otherwise an exceptional child, save for one thing. She was willing to work and slave, if need be, to keep her baby brother, affectionately termed "The Lump," from being sent to the poor house. So she did housework and prepared breakfasts for John Ruffin, an attorney, and Hon. Gedge-Tompkins. John Ruffin's sister, Lady Osterly, has separated from her husband, and he holds their child. When Lady Osterly calls on Ruffin she is struck with the remarkable resemblance Polly bears to her own child. Ruffin and Lady Osterly formulate a plan to come into possession of her daughter, by using Polly as a substitute.
An artist is in the countryside, painting, when he meets a girl in a roadster. They fall in love, but the girl marries a lawyer for his money. She should have waited -- the artist becomes a huge success, commanding a thousand dollars for a portrait sitting. The girl convinces her husband to let the artist paint her, but one night while she is visiting his studio, a thieving relative of his enters and is killed by a servant. To protect the girl, the artist allows himself to be accused of the murder. Her husband happens to be the prosecuting attorney, and when she reveals she was at the artist's home the night of the murder, he prepares to shoot the artist himself. But before he can raise his gun, the servant stabs him to death.