Gene Saks (born Jean Michael Saks; November 8, 1921 – March 28, 2015) was an American director and actor.
As a stage director, he was nominated for seven Tony Awards, winning three for his direction of I Love My Wife, Brighton Beach Memoirs, and Biloxi Blues.
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In 1995, ABC presented a telemovie version of the Broadway musical Bye Bye Birdie produced by RHI Entertainment. It starred Seinfeld's Jason Alexander and Vanessa Williams of Desperate Housewives. While this version remained mostly faithful to the original musical (Michael Stewart remains the only credited author of this version), several songs were added and re-arranged, and dialogue was slightly rewritten to smoothly facilitate the musical changes. The musical revolves around an Elvis Presley-type rocker who's about to join the Army. To mark the occasion, his manager's secretary arranges for him to kiss a random fan goodbye on The Ed Sullivan Show. Bye Bye Birdie earned four Tony awards in 1961, including Best Musical and Best Actor in a Musical for its original star, Dick Van Dyke. In addition to Alexander and Williams, ABC's production starred Tyne Daly, George Wendt, Chynna Phillips and Mark Kudisch.
Albert Einstein helps a young man who's in love with Einstein's niece to catch her attention by pretending temporarily to be a great physicist.
A rascally nearing-retirement man juggles a workers' compensation suit while secretly working for his nemesis and flirting with his nemesis' young wife. As his estranged son returns, he faces new family responsibilities, while a banker plots to evict him from his home.
Isaac Seidel is a highly unconventional New York police-commissioner. He is well-abled in dealing with trouble at the headquarter, the maffia and situations in the streets. His loyalty to his profession and the city he so loves make him do the utmost to solve the problems, even if it means he has to bend the rules.
Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to and admires. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house.
Sigmund Freud's ghost advises a married New York psychiatrist in love with a patient.
Andy Schmidt manages to win fellow student Mary’s heart, but getting a job after college turns out much harder than expected. Desperate and dreaming of stardom, he tries wrestling.
The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."
A middle aged restaurateur begins to feel the desire to roam and realizes that one day each week, his mother's apartment will be empty all afternoon. He makes several attempts at seduction, only to learn that it is much more complicated and difficult than he could have imagined.
Distraught when her middle-aged lover breaks a date with her, 21-year-old Toni Simmons attempts suicide. Impressed by her action, her lover, dentist Julian Winston reconsiders marrying Toni, but he worries about her insistence on honesty. Having fabricated a wife and three children, Julian readily accepts when his devoted nurse, Stephanie, who has secretly loved Julian for years, offers to act as his wife and demand a divorce.
In New York, Felix, a neurotic news writer who just broke up with his wife, is urged by his chaotic friend Oscar, a sports journalist, to move in with him, but their lifestyles are as different as night and day are, so Felix's ideas about housekeeping soon begin to irritate Oscar.
In this film based on a Neil Simon play, newlyweds Corie, a free spirit, and Paul Bratter, an uptight lawyer, share a sixth-floor apartment in Greenwich Village. Soon after their marriage, Corie tries to find a companion for mother, Ethel, who is now alone, and sets up Ethel with neighbor Victor. Inappropriate behavior on a double date causes conflict, and the young couple considers divorce.
Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.
The Dybbuk is a made for TV film adaptation of a classic Jewish folktale. The story is about a young Jewish man, Sender (Theodore Bikel) who loves a young Jewish woman, Leah (Carol Lawrence) but her father arranges her marriage with another man. The grief of this causes Sender to die, but his spirit passes into the body of his beloved on her wedding day. Rabbi Azrael (Ludwig Donath), who serves as our narrator through the beginning of the film, is charged with the task of exercising Sender’s Dybbuk (sometimes defined as a malicious spirit or demon who possesses the living) from Leah’s body.