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Garin Nugroho Riyanto (born June 6, 1961, in Yogyakarta) is a renowned Indonesian film director, screenwriter, and producer.
He first gained widespread recognition after releasing his film Cinta dalam Sepotong Roti (A Slice of Love) in 1990.
His works have often transcended national boundaries and earned international acclaim.
One of his most notable films is Surat untuk Bidadari (Letter to an Angel) (1992), which brought him to the international film stage.
Additionally, his film Daun di Atas Bantal (Leaf on a Pillow) (1998) became the first Indonesian film to be screened at the Cannes Film Festival.
Garin is also well-known for other works such as Opera Jawa (2006) and Kucumbu Tubuh Indahku (Memories of My Body) (2018).
His recent film, Whispers in the Dabbas (Nyanyi Sunyi dalam Rantang), premiered at the 54th International Film Festival Rotterdam in 2025.
Throughout his career, Garin Nugroho has received numerous awards, including the Tempo Best Director Award in 2024 for his film Samsara.
He is also recognized as a driving force behind various important cultural activities in Indonesia.
With his dedication and innovation, Garin Nugroho continues to make significant contributions to the development of Indonesian cinema and culture.
Puspa, a novice lawyer handling trivial cases, fights for the cause of poor people accused of petty crimes and threatened with disproportionate punishment. As she takes on a rigged legal establishment, she must grapple with her crippling senses of powerlessness, and empathy.
Darta, a man from an impoverished family, is rejected by the wealthy parents of the woman he loves. Desperate, he strikes a bargain with the Monkey King, performing a dark ritual to gain wealth. However, in doing so, he accidentally curses his wife and child to a life of suffering. Rooted in Indonesian mysticism, this universal narrative explores the insatiable hunger to become something one is not and the boundaries one is willing to cross to achieve it.
Adam, the Village Head who entered regional election politics brought his politics home, affecting his relationship with his wife and younger siblings. Mixed with the love affairs of the widowed Mother Earth with Mr. Janji, a widower, a former village head, the euphoria of the village residents ahead of the regional elections and political brokers and dynastic political issues that spread to the village via social media became increasingly chaotic.
Pertiwi, a strong and independent woman who took care of her three children: Adam, Sekar, and Isham until they became adults and left their hometown. Her husband died after losing the village head election against his rival, Janji Upaya. The children of Pertiwi, who blamed Janji Upaya for their father's death, harbored deep feelings of resentment towards Janji Upaya.
Words of poetry spell certain death when a young woman grows increasingly distraught after a string of unusual murders take place.
Sparks fly when a fashion blogger in Bali meets a gifted shoemaker, leading her to question her commitment to her fiancé.
As an infotainment producer deals with a work crisis, a childhood friend, who's now a cleric, arrives to honor a religious request from her late father.
Juno was just a child when his father abandoned him from their village in Central Java. Abandoned and alone, he joins a Lengger dance centre where men shape their feminine appearance and movement. The sensuality and sexuality that came from the dance, mixed with the violent sociopolitical Indonesian environment, forces Juno to move from village to village.
After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.
After a fateful meeting of a widow and a young entrepreneur with Alzheimer's, friendship between the two blossoms following the man's request to make traditional mooncakes.
A cheerful yet serious Indonesian Romeo and Juliet. A boy and a girl from the same district, but with difficult childhoods and other reasons not to acknowledge their love. Through the colourful and musical retro style - the 1970s came late to Indonesia - shines a chaotic political and social era.
Southeast Asia Cinema - When the rooster crows is a voice of diversity reaching for change. Brillante Mendoza, Eric Khoo, Garin Nugroho, Pen Ek Ratanaruang give voice to a region rich with traditions, ethnic groups, languages, politics, and religions. It is cinema, at its purest form, fighting for freedom of expression, documenting real lives of ordinary people, giving voice to the underdogs and the outcasts. The amalgamation of these aspects gives birth to an ultra-neo-realistic cinema language currently unique to films from this region.
A college student, a young female dancer, an orphaned adolescent, a rickshaw driver, and an eternal optimist all discuss the manner in which the 2004 tsunami set into motion by an Indian Ocean earthquake dramatically altered their lives in filmmaker Garin Nugroho's reflective documentary.
A Papuan teenager becomes fixated on his first kiss after meeting a woman at the port, unaware that his father's fight for justice has put their family in grave danger.