Gabriele Salvatores (born 30 July 1950) is an Italian Academy Award -winning film director and screenwriter.
Born in Naples , Salvatores debuted as a theater director in 1972, founding in Milan the Teatro dell'Elfo, for which he directed several avant-garde pieces until 1989.
In that year, he directed his third feature film, Marrakech Express , which was followed in 1990 by Turné .
Both films shared a group of actor-friends, including Diego Abatantuono and Fabrizio Bentivoglio , who will be present in many of his later movies.
Turné was screened in the Un Certain Regard section at the 1990 Cannes Film Festival.
In 1991, Salvatores received international praise for Mediterraneo , which won an Academy Award as best foreign film.
It also won three David di Donatello , the most important award for Italian cinema, and a Nastro d'Argento .
In 1992, he released Puerto Escondido , from the eponymous novel by Pino Cacucci , in which Abatantuono and Bentivoglio were joined by another standard actor for Salvatores, Claudio Bisio .
The following year he directed Sud , featuring Silvio Orlando , an attempt to denounce the political and social situation of the Mezzogiorno of Italy seen from the point of view of the unemployed and those at the margins of society.
The main themes of Salvatores' screenplays are escape from a reality that cannot be accepted or understood, nostalgia for friends, and voyages that never end.
A new experimental period, however, started in 1997 with Nirvana , a science fiction/ cyberpunk attempt which received mixed reviews.
This was followed by the surreal Denti ( Teeth , 2000), and Amnèsia (2002).
Both featured Sergio Rubini .
In 2003 he directed the financially successful I'm Not Scared , based on the Niccolò Ammaniti novel of the same name.
In 2005 he directed the noir Quo Vadis, Baby? .
His 2008 film As God Commands was entered into the 31st Moscow International Film Festival.
In the immediate post-war period, amidst the rubble of a poverty-ridden Naples, two kids, Carmine and Celestina, try to survive as best they can by helping each other out. One night, they secretly board a ship bound for New York to reach Celestina’s sister, who emigrated to America several years earlier. The two children join the many Italian emigrants seeking a new life in America and arrive in an unknown metropolis, which, after several misadventures, they will learn to call home.
Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.
Six aspiring comedians tired of the mediocrity of their lives, at the end of an evening stand-up course they prepare to face their first performance in a club. In the audience there is also an examiner, who will choose one of them for a TV show. For everyone this is the great opportunity to change their life, for some it could be the last one. The performances begin and each comedian takes the stage with a great dilemma: to respect the teachings of their master, devoted to intelligent and uncompromising comedy, or to twist their numbers to satisfy the much less refined taste of the examiner? Or maybe look for a third way, one of absolute originality? Through the stories of six comedians, Comedians is a reflection on the very meaning of comedy in our time, facing absolutely topical issues.
Michele is thirteen year old, shy, unpopular at school, and in love with Stella. After wearing a costume for a Halloween party, he finds out that he's invisible.
The story of a gang of children growing up in a community of banished criminals, in a forgotten corner of the former Soviet Union. This community rejects the world outside. The only law it obeys… is its own. Against this backdrop two best friends, Kolyma and Gagarin, gradually become fierce enemies as they find themselves on opposite sides of the strict code of honour of the ‘honest criminal’ brotherhood.
By presenting archive footage along with his own life story, filmmaker Gabriele Salvatores mediates an illustration of the economic boom in Italy during the 1960s.
A blocked screenwriter, Ezio, is trying to finish a story about two off-kilter families thrown together when their teenage children announce they’re getting married. So Ezio writes himself into the story with a romantic part—a development his characters welcome, as they’ve got some ideas of their own for bigger and better roles.
Various generations of filmmakers talk about what cinema means for them.
In a tiny community enclosed by wheat fields, the adults shelter indoors, while six children venture out on their bikes across the scorched, deserted countryside. Exploring a dilapidated and uninhabited farmhouse, nine-year-old Michele discovers a secret so momentous, so terrible, that he dares not tell anyone about it …
On the Spanish island of Ibiza, porn filmmaker Sandro and Angelino, the manager of a beachside watering hole, find their very different lives overlapping. Meanwhile, the island police chief, who is currently at odds with his rebellious son Jorge, is investigating the death of a drug dealer (which was accidentally brought on by Angelino). Jorge's plans to move to America have so far been thwarted by his father, but when he finds out about the affair his dad had been having with a male nightclub dancer, he uses it as blackmail fodder.
Antonio is a man born with unusually large incisors; his freakishly huge teeth made him an outcast as a child and as man he has become obsessive and controlling in his relationships with women. Convinced that his girlfriend cheated on him (with her dentist, ça va sans dire), Antonio insults her in a fit of anger and in the fight she breaks off one of his teeth. Antonio now must travel across the country, going from dentist to dentist in search of someone who can make a crown that will suit his extra-large smile.
Jimi, a computer game designer, finds that his latest product has been infected by a virus which has given consciousness to the main character of the game, Solo. Tormented by the memory of his fled girlfriend Lisa and begged by Solo to end its useless "life", Jimi begins a search for people who can help him both to discover what happened to Lisa and to delete his game before it is released.
Greek Sea, World War II. An Italian ship leaves a handful of soldiers in a little island; their mission is to spot enemy ships and to hold the island in case of attack. The village of the island seems abandoned and there isn't a single enemy in sight, so the soldiers begin to relax a little. Things change when their ship is hit and destroyed by the enemy, and the soldiers find themselves abandoned there.
After learning that an old friend of theirs has been arrested in Morocco on drug charges, four former college buddies set out for Marrakech to bail him out.