Pražský výběr – Symphony Bizarre 2022

Peter Dvorský 2022

Arabella 2014

2014 marks a year of celebration recognizing the 150th birthday year of the German late-Romantic orchestral, operatic and lied master composer, Richard Strauss (1864-1949). Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. (ORF) Thielemann gets the best out of the cast...especially Renée Fleming with her luxurious soprano FAZ

Bernd Alois Zimmermann - Die Soldaten 2012

Metropolitan Opera Gala James Levine's 25th Anniversary 1996

This tribute to James Levine, first shown on PBS, was only part of that glorious evening. Here we have the whole performance, up to three hours. I could not stop watching these discs. Let me say this much; Levine has done for the Met, making it the premier opera house in the world, what Karajan did with the Berlin, making it one of the finest orchestras ever. So sit back and enjoy.

Fidelio 1990

Beethoven's opera Fidelio.

Mefistofele 1989

1989 recording of the San Francisco Opera production of Mefistofele: Boito's retelling of Goethe's Faust

Faust 1985

In an epic tale of good versus evil, Faust sells his soul to the Devil and tries to save Marguerite from an eternity in Hell.

The Bartered Bride 1982

Frantisek Filip film version of the Smetana opera.

Andrea Chenier 1981

Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.

The Mysterious Castle in the Carpathians 1981

In 1897, in a castle near the town of Werewolfville in the Carpithians, a slightly deranged Professor Orfanik experiments with his new inventions which include, even at this early date, television and a film camera. He is also an obsessed opera fan, keeps the body of his favorite diva preserved in a crypt in the castle. In order to keep away nosy visitors, the baron's mad-scientist assistant, invents all sorts of spooky phenomena in order to give the castle a creepy reputation.

The Divine Emma 1979

The opera lady singer Ema Destinnová is in all her splendor at the American stages. But in Europe there rages war and she decides to return home to Bohemia.

Rusalka 1978

Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).

Paleta lásky 1976

Prodaná nevěsta 1976