atau dikenal sebagai
From Wikipedia, the free encyclopedia
Francisco Rabal (March 8, 1926 – August 29, 2001), perhaps better known as Paco Rabal, was a Spanish actor born in Águilas, a small town in the province of Murcia, Spain.
In 1936, after the Spanish Civil War broke out.
Rabal and his family left Murcia and moved to Madrid.
Young Francisco had to work as a street salesboy and in a chocolate factory.
When he was 13 years old, he left school to work as an electrician at Estudios Chamartín.
Rabal got some sporadic jobs as an extra.
Dámaso Alonso and other people advised him to try his luck with a career in theater.
During the following years, he got some roles in theater companies such as Lope de Vega or María Guerrero.
It was there that he met actress Asunción Balaguer; they married and remained together for the rest of Rabal's life.
Their daughter, Teresa Rabal, is also an actor.
In 1947, Rabal got some regular jobs in theater.
He used his full name, Francisco Rabal, as stage name.
However, the people who knew him always called him Paco Rabal.
(Paco is the familiar form for Francisco.
) "Paco Rabal" became his unofficial stage name.
During the 1940s, Rabal began acting in movies as an extra, but it was not until 1950 that he was first cast in speaking roles, and played romantic leads and rogues.
He starred in three films directed by Luis Buñuel - Nazarín (1959), Viridiana (1961) and Belle de jour (1967).
William Friedkin thought of Rabal for the French villain of his 1971 movie The French Connection.
However, he could not remember the name of "that Spanish actor".
Mistakenly, his staff hired another Spanish actor, Fernando Rey.
Friedkin discovered that Rabal did not speak English or French, so he decided to keep Rey.
Rabal has previously worked with Rey in Viridiana.
Rabal did, however, work with Friedkin in the much less successful but Academy Award-nominated cult classic Sorcerer (1977), a remake of The Wages of Fear (1953).
Throughout his career, Rabal worked in France, Italy and Mexico with directors such as Gillo Pontecorvo, Michelangelo Antonioni, Luchino Visconti, Valerio Zurlini, Jacques Rivette and Alberto Lattuada.
It is widely considered that Rabal's best performances came after Francisco Franco's death on 1975.
In the 1980s, Rabal starred in Los santos inocentes, winning the Award as Best Actor in Cannes Film Festival, in El Disputado Voto del Señor Cayo and also in the TV series Juncal.
In 1989, he was a member of the jury at the 39th Berlin International Film Festival.
In the 1999 he played the character of Francisco Goya in Carlos Saura Goya en Burdeos, winning a Goya Award as Best Actor.
Francisco Rabal is the only Spanish actor to have received a honoris causa doctoral degree from the University of Murcia.
Rabal's final movie was Dagon, a film which was dedicated to him right before the credits.
The dedication read "Dedicated to Francisco Rabal, a wonderful actor and even better human being.
"
Rabal died in 2001 from compensatory dilating emphysema, while on an airplane travelling to Bordeaux, when he was coming back from receiving an Award at Montreal Film Festival.
Description above from the Wikipedia article Francisco Rabal, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A boating accident off the coast of Spain sends Paul and his girlfriend Barbara to the decrepit fishing village of Imboca. As night falls, people start to disappear and things not quite human start to appear. Paul is pursued by the entire town. Running for his life, he uncovers Imboca's secret..they worship Dagon, a monstrous god of the sea...and Dagon's unholy offspring are on the loose...
Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner Villambrosa finds the ring. Meanwhile Villambrosa's rival gangster Souza sends femme fatale Fatima to check things out. Juantxo and his friends are trying to get the ring back and in the process get involved in the war between gangs.
Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.
As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.
In a nameless European city, a local reporter and his doctor wife try to escape from hordes of blood thirsty zombies, undead people exposed to nuclear radioactivity, while the military leaders fight a losing war of attrition against the relentless atomic zombies.
A May-December romance. Roué Giulio Marengo, a Roman landscape architect unhappy in his marriage, meets Francesca, a young and beautiful Florentine, and then learns she might be his daughter. He resolves to keep his hands off but can't seem to stay away, and she's eager for a lover who's a father figure.
Four men from different parts of the globe, all hiding from their pasts in the same remote South American town, agree to risk their lives transporting several cases of dynamite (which is so old that it is dripping unstable nitroglycerin) across dangerous jungle terrain.
A young Hacienda-owner abuses women due to his traumatic youth while his mother covers for his sadistic actions.
An outspoken boy and a gunfighter-pimp save a drifter's life from hanging. The boy's uncle dies, leaving a house and some dry, useless land to the boy. The dying uncle has obtained the drifter's promise to help the boy get what is his. Meanwhile the gunfighter has decided that the drifter should marry his daughter after being with her previously. The two get into a series of brawls and shoot-outs until they arrive in the town and find the boy's inheritance -which turns out not to be as useless as it first appears.
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men. A woman offers to take an injured man to the hospital. A widowed father and his son seek for a new wife/mother. A man seeks revenge for a woman's honor. A bored housewife tries to explain to her husband that he's not as romantic as he used to be.
This romantic drama by Michelangelo Antonioni follows the love life of Vittoria, a beautiful literary translator living in Rome. After splitting from her writer boyfriend, Riccardo, Vittoria meets Piero, a lively stockbroker, on the hectic floor of the Roman stock exchange. Though Vittoria and Piero begin a relationship, it is not one without difficulties, and their commitment to one another is tested during an eclipse.
Viridiana is preparing to start her life as a nun when she is sent, somewhat unwillingly, to visit her aging uncle, Don Jaime. He supports her; but the two have met only once. Jaime thinks Viridiana resembles his dead wife. Viridiana has secretly despised this man all her life and finds her worst fears proven when Jaime grows determined to seduce his pure niece. Viridiana becomes undone as her uncle upends the plans she had made to join the convent.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)