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Fernando Lavanderos is a Chilean director, screenwriter, producer, cinematographer and editor.
He was born in Santiago de Chile on November 15th (1974) .
He has done fiction's and documentary's movies, which experienced and exceeds the line of their genre.
His first huge success begin with his movie Y las vacas vuelan (2003), which its considerate as a real innovation in the Chilean Cinema.
His second large-movie, Las Cosas como Son (2012) won 14 national's and international's first prices, in festivals like The Independent Camera Award of Karlovy Vary or The Festival de Cine de Mar del Plata.
A father and his two daughters are sailing in a lake when they encounter a pair of shipwrecked men. They say to be looking for someone they lost and ask for help to find him. This begins a tense search in which the father suspects he is held hostage.
Santiago 1984. Carmen, former JJCC, after being tortured by the CNI, works as an undercover agent. Francisco, an agent obsessed with her, infiltrates her in an advertising production company, meets Gastón, creative director. He discovers that he is planning a commercial in the mountains as part of an escape operation for a political prisoner. Carmen manipulates both of them, lying to Francisco and approaching Gastón, in order to join the operation and thus achieve her own escape.
A young swimmer with sleep disorder deals with the sudden disappearance of her mother and the arrival of Rebeca, a mysterious girl who rents a room in her home. Unaided from the police and confused by paranoia, she finds herself engulfed in a struggle to maintain her sanity and get her life back.
Cristina has spent her life taking care of her mother Carmen. Single and without a trade or friends, she grows older, year after year in her hometown. A few days from her birth- day, Cristina reconnects with Sandra, a former schoolmate who will show her other ways to live, freely and without prejudice.
Old man Eladio is dying. Throughout the last decades, he has lived alone, working in his old liquor factory. Modernity threatens his spirits business, but he refuses to abandon it. A visit by his oldest grandson will be the ideal moment to save the factory, while at the same time, reconnect with his family.
Jerónimo is an antisocial local man who rents rooms in his home to expats so he can snoop around their belongings. One day Sanna arrives, a girl who will change Jerónimo’s life. They start getting closer until Jerónimo discovers that Sanna is hiding something in his house.
This documentary introduces us on the daily life of a group of kids who live on the street. Through the narrative and experiences of the protagonists, we discover the Latin American marginality hidden beneath a contemporary city like Santiago de Chile. The camera turns into another one of the group, eventually becoming part of this type of family life born from the tight friendship with which these kids survive.